Class meets Th 4-7:40 pm ● bkiteley@du.edu
NOTE: This graduate
fiction workshop is OPEN ONLY to graduate students in the Ph.D. program in the
English Department (sorry, no exceptions).
TEXTS: William Carlos Williams, Imaginations; Isaac Babel, The Collected Stories; Alphonso Lingis, Violence and
Splendor; Brian Kiteley, The
3 AM Epiphany (which will be available in the book store by mid-April)
March 29: First class; read
Babel (Line and Color, Dolgushov’s Death, and Guy de
Maupassant) and the introduction to The 3 AM Epiphany
April 5: Joanna, Kameron, Katie, Meghan (to be handed in 3/29); read Lingis (and a review of Violence and Splendor by Graham Harman)
April 12: Patrick, Poupeh, Sam, Tarashea, Danielle
(to be handed in 4/5); read Lingis
April 19: Yanara,
Christopher, Julia, Seth, Eryn (to be handed in 4/12)
April 26: Meg (to be handed in
4/19)
May 3: Joanna, Kameron, Katie, Eryn; read
Williams (Kora in Hell and Spring and All)
May 10: Patrick, Poupeh, Tarashea, Yanara, Danielle (to be handed in 5/3); read Williams (The Great American Novel and The Descent of Winter)
May 17: Sam, Christopher,
Julia, Seth, Eryn (to be handed in 5/10); read Babel
(The Public Library, My First Goose, Sashka Christ,
and The Kiss)
May 24: Two fiction exercises each: Sam, Joanna, Kameron,
Katie, Meghan, Patrick, Poupeh
(to be handed in 5/17); read The 3 AM
Epiphany
May 31: Two fiction exercises each: Yanara,
Danielle, Christopher, Julia, Seth, Eryn, Tarashea (to be handed in 5/24)
ABOUT THE EXERCISES: I will ask you to write a handful of the exercises
from The 3AM Epiphany during the
term. We will also discuss the book as a teaching device.
ABOUT THE COURSE: In this course, we will read William Carlos Williams
fascinating, hybrid texts, especially Spring
and All and The Great American Novel
and a handful of the great short stories of Isaac Babel, and Alphonso Lingis’ Violence and Splendor in advance of his
visit to campus.
ASSIGNMENTS: You are each responsible for two 300-word critiques of work by your classmates. Give me a copy
of these critiques. Bring these critiques to class the day of the discussion of
work by your classmates.
I will
also ask you to write a brief essay on or creative response to one of these
texts (300-500 words), which we will discuss toward the end of the term.