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English 0111: Expository Writing
Fall Quarter 2000, Section 22 (T/TH 9-10:30)
Instructor: Ms. Ansari
| Office Rm. 387 B, Sturm Hall | Office Hrs: W, 9:00-12:00 |
| Office Phone No. | Email: sansari@du.edu |
| Voice Mail: 871-4395 | URL:http//www.du.edu/~sansari |
REQUIRED TEXTS:
McQuade, Donald; McQuade, Christine. Seeing & Writing.
Boston: Bedford/St. Martin's, 2000.
Breaking Ground: Guide to First-Year English, 12th ed.
A recent dictionary
PURPOSE
Writing is the process of giving words to your thoughts and communicating them to others. Writing is thinking. First-Year English will teach you to think, write and communicate effectively. These are skills which you will need in every area of your life. You may need to argue persuasively on a business project, narrate dramatically an event in a letter to your friend, describe specific experimental methods in a research grant application, or define your qualifications in a resume.
Argumentation, narration, description, and definition are some of the numerous modes of writing. A clear understanding of these modes will give you the ability to choose any one or a combination of the modes for a powerful piece of writing.
Expository Writing is the first course in the First-Year English sequence. Emphasis will be placed on mastering details that contribute to the development of an interesting, unified, organized, coherent essay of substance. Because correct usage of grammar, punctuation, and the mechanics of English are essential to effective writing, you will be expected to pay careful attention to these matters. For every assignment you will need to be aware of voice, audience, and purpose. Essays will be a response to the course theme: The Individual and the Making of Meaning.
REQUIREMENTS
1) Essay Assignments: You are required to write two 5-page essays and a 10-page Special Focus project. All paper assignments will be explained clearly in class -- in discussion and written form.
Format for Assignments: All essays prepared out of class should be written on a computer or your laptop. Please proofread your essay carefully after it is typed and make any necessary corrections. Essays should be formatted using a standard twelve-point font such as Times New Roman. Leave 1 inch margins on the top, bottom and right borders of your text and 1.5 inch margin on the left. Double space your papers.
Folder for Assignments: All essays must be submitted in a folder with pockets and with your name on it. Keep your graded essays in the folder and turn the accumulated essays in each time an assignment is due. You will retain this folder throughout the three English classes, accumulating essays as you go. This will help you to chart your writing progress. You will get five points for handing in a complete folder at the end of the quarter.
Late Assignments: An essay's grade will drop by one-third for the first, second and third day it is late. (An A, for example, will drop to an A- after one day.) After the third day, it will no longer be accepted.
Plagiarism: If you use another writer's words and/or ideas in your paper, acknowledge it and cite the source in your paper. If you commit plagiarism, you will fail the paper on the first offense and you will fail the course on the second offense. Please read the Guide (p.41) for more details.
2) Editing Sheets: You are required to complete Editing Sheets for each of your papers. An error in your paper will be marked according to the notation of the Handbook (Part III) in the Guide. After you have identified the problem in your handbook, you must correct your errors (please follow the Editing Policy described in the Guide, pp. 49-53) and submit the editing sheets back to me. An editing sheet for a paper is due the class period immediately following my return of your paper. Your editing sheets will be graded and will count as quizzes.
3) Reader Responses: For your writing practice, I will ask you to write a one-page informal response to a reading assignment, a photo, an ad or a painting.
4) Attendance: Regular attendance is mandatory. If you miss more than three classes, your grade will be lowered by one full letter grade. (see Guide, p. 57)
5) Conferences: You must schedule at least one conference with me during the quarter. A conference is for the purpose of discussing your writing with me in more detail than class time permits. Besides seeing me at the conference, the more often you visit me during my office hours, the more I will be able to help you individually with your paper assignments.
6) Mid-Term and EXIT EXAM. You must pass the exit exam in order to advance to Persuasive Voice. (See Guide p. 56 for the nature of the exam.)
ASSIGNMENTS and GRADING:
| Essay One (4-5 pages) | 15 percent |
| Essay Two (4-5 pages) | 15 percent |
| Special Focus Project (10 pages) | 30 percent |
| Mid-Term Exam (will include an in-class essay) | 10 percent |
| Response Papers, Editing Sheets, Attendance | 10 percent |
| Exit Exam | 20 percent |
IMPORTANT DATES:
Last day you may drop class without a signature: October 20
Last day you may drop class with a signature: November 3
First Essay Due: Thursday, October 5
Second Essay Due: Thursday, October 19
Special Focus Project Due: Thursday, November 9
Mid-Term Exam: Tuesday, October 10
Final Exam: Tuesday, November 21
SCHEDULE OF READINGS, ASSIGNMENTS, ACTIVITIES
|
Week 1, Sept. 11-17 |
INTRODUCTION |
| Tue., Sept. 12th |
Overview of course/Syllabus |
| Thurs., Sept.14th | Special Focus Project explained Read "Seeing and Writing" pp. XXXIII - LVI Discussion of stages of writing: Note-making, Outlining, Drafting, Revision Pre-Test for Grammar and Punctuation in Guide |
| Week 2, Sept. 18-24 | DESCRIPTION |
| Tue., Sept. 19 | Read "Observing the Ordinary," pp. 2 - 6 & Annie Dillard, "Seeing,"
pp. 38-48 Mistakes to avoid in writing: Generating and Formulating, Subject Vs. Topic, Specific Vs. Abstract |
| Thurs., Sept. 21 | Read "The Great
Figure," p. 9. Analyze "The Figure 5 in Gold," p. 8 & "Television Moon," p. 36. RESPONSE PAPER # 1 due Library walking tour |
| Week 3, Sept. 25-Oct. 1 | DESCRIPTION |
| Tues., Sept. 26 |
Read "Coming to Terms with Place," pp. 68-70 & E. Hirsch, "Edward
Hopper ...," p. 73. Analyze "House by the Railroad," p. 72 Analyze the ad: "Families Are Realizing Distance Doesn't Have
to Keep Them Apart," p. 122 & "Coca-Cola Company,"p.
69 RESPONSE PAPER # 2 due Read Scott R. Sanders, "Homeplace," pp. 101 - 104. Discussion of the descriptive mode of writing Writing Groups Assigned |
| Thurs., Sept. 28 | ESSAY ONE ASSIGNED Read Eudora Welty, "The Little Store," pp. 78 - 85 Watch an Ad Documentary film |
| Week 4, Oct. 2-8 | NARRATION |
| Tues., Oct. 3 |
ROUGH DRAFT & OUTLINE OF ESSAY ONE DUE Read "Capturing Memorable Moments," pp. 138-142 & Isabel Allende, "Omayra Sanchez," p. 145 & J. Budnitz, "Park Bench," pp. 148-151. Discussion of the narrative mode of writing. |
| Thurs., Oct. 5 | FINAL DRAFT OF ESSAY ONE DUE Analyze "Children Fleeing a Napalm ..." p. 162-163. Read Susan Sontag, "Photography," pp. 183 -184 & D. Allison, "This Is Our World," pp. 155 - 160 |
| Week 5, Oct. 9-15 | NARRATION |
| Tues., Oct. 10 | MIDTERM |
| Thurs., Oct. 12 | ESSAY ONE RETURNED ESSAY TWO ASSIGNED SPECIAL FOCUS SUBJECT DUE Read "Figuring the Body," pp. 196 - 200 & Judith Cofer, "The Story of My Body," pp. 208 - 215. RESPONSE PAPER # 3 due |
| Week 6, Oct. 16-22 | COMPARISON and CONTRAST |
| Tues., Oct. 17 |
Read "Engendering Difference," pp. 258-263 & J. Kincaid,
"Girl," p. 264 & K. Pollitt, "Why Boys Don't Play With
Dolls," pp. 316-317. ROUGH DRAFT & OUTLINE OF ESSAY TWO DUE Editing Sheet for Essay One Due Discussion of the comparison & contrast mode of writing |
| Thurs., Oct. 19 |
Presentation of Film Excerpts: Mississippi Masala FINAL DRAFT OF ESSAY TWO DUE |
| Week 7, Oct. 23-29 | COMPARISON and CONTRAST |
| Tues., Oct. 24 | Read "Men, Women, Sex, And Darwin, pp.
281-288. Analyze A. Spiegelman, "Nature vs. Nurture" RESPONSE PAPER # 4 due Sign up for conference |
| Thurs., Oct. 26 | CLASS CANCELED FOR CONFERENCES ROUGH DRAFT OF PART ONE OF SPECIAL FOCUS PROJECT DUE (bring your draft to the conference) |
| Week 8, Oct. 30-Nov. 5 | DEFINITION |
| Tues., Oct. 31 | Read "Constructing Race," pp. 326 - 330 & Gish
Jen, "What Means Switch," pp. 339-349. ESSAY TWO RETURNED ROUGH DRAFT OF PART TWO OF SPECIAL FOCUS PROJECT DUE |
| Thurs., Nov. 2 | CLASS CANCELED FOR "IN MY OWN VOICE" |
| Week 9, Nov. 6-12 | SPECIAL FOCUS PROJECT |
| Tues., Nov. 7 | Read B. Grover, "Growing up White in America," p.
377 & W. E. B. DuBois, "Double Consciousness," p. 383.
Analyze the four images "Real Native Americans," pp. 364-365. Editing Sheet for Essay Two Due ROUGH DRAFT PART THREE OF SPECIAL FOCUS PROJECT DUE |
| Thurs., Nov. 9 | Read "Reading Icons," pp. 399 - 400 & Sharon Olds, "The Death of Marilyn Monroe," p. 402. Analyze the film shot: Sam Shaw, "Marilyn Monroe and Tom Ewell ..." p. 403 & the five paintings by Andy Warhol, pp. 408 - 411. SPECIAL FOCUS PROJECT DUE |
| Week 10, Nov. 13-19 | REVIEW |
| Tues., Nov. 14 | Read "The Heroine Worship," pp. 412-416. Analyze the series of "Madonna, 1982 - 1999" photographs, pp. 432-433. RESPONSE PAPER # 5 due Review for Final |
| Thurs., Nov. 16 | Review for Final |
FINAL EXAM: TUESDAY, NOVEMBER 21, 9:00 - 11:00 a.m (same classroom).