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English 0111: Expository Writing

Fall Quarter 2000, Section 22 (T/TH 9-10:30) 

Instructor: Ms. Ansari

 

Office Rm. 387 B, Sturm Hall Office Hrs:  W, 9:00-12:00 
Office Phone No. Email: sansari@du.edu
Voice Mail: 871-4395 URL:http//www.du.edu/~sansari

REQUIRED TEXTS

McQuade, Donald; McQuade, Christine. Seeing & Writing. Boston: Bedford/St. Martin's, 2000. 
Breaking Ground: Guide to First-Year English, 12th ed.
A recent dictionary

PURPOSE 

Writing is the process of giving words to your thoughts and communicating them to others. Writing is thinking. First-Year English will teach you to think, write and communicate effectively. These are skills which you will need in every area of your life. You may need to argue persuasively on a business project, narrate dramatically an event in a letter to your friend,  describe specific experimental methods in a research grant application, or define your qualifications in a resume. 

Argumentation, narration, description, and definition are some of the numerous  modes of writing. A clear understanding of these modes will give you the ability to choose any one or a combination of the modes for a powerful piece of writing. 

Expository Writing is the first course in the First-Year English sequence. Emphasis will be placed on mastering details that contribute to the development of an interesting, unified, organized, coherent essay of substance. Because correct usage of grammar, punctuation, and the mechanics of English are essential to effective writing, you will be expected to pay careful attention to these matters. For every assignment you will need to be aware of voice, audience, and purpose. Essays will be a response to the course theme: The Individual and the Making of Meaning. 

REQUIREMENTS

1) Essay Assignments: You are required to write two 5-page essays and a 10-page Special Focus project. All paper assignments will be explained clearly in class -- in discussion and written form. 

2) Editing Sheets: You are required to complete Editing Sheets for each of your papers. An error in your paper will be marked according to the notation of the Handbook (Part III) in the Guide. After you have identified the problem in your handbook, you must correct your errors (please follow the Editing Policy described in the Guide, pp. 49-53) and submit the editing sheets back to me. An editing sheet for a paper is due the class period immediately following my return of your paper. Your editing sheets will be graded and will count as quizzes.

3) Reader Responses: For your writing practice, I will ask you to write a one-page informal response to a reading assignment, a photo, an ad or a painting. 

4) Attendance: Regular attendance is mandatory. If you miss more than three classes, your grade will be lowered by one full letter grade. (see Guide, p. 57)

5) Conferences: You must schedule at least one conference with me during the quarter. A conference is for the purpose of discussing your writing with me in more detail than class time permits. Besides seeing me at the conference, the more often you visit me during my office hours, the more I will be able to help you individually with your paper assignments. 

6) Mid-Term and EXIT EXAM. You must pass the exit exam in order to advance to Persuasive Voice. (See Guide p. 56 for the nature of the exam.)

ASSIGNMENTS and GRADING:

Essay One (4-5 pages)  15 percent
Essay Two (4-5 pages) 15 percent
Special Focus Project (10 pages) 30 percent
Mid-Term Exam (will include an in-class essay) 10 percent
Response Papers, Editing Sheets, Attendance 10 percent
Exit Exam 20 percent

IMPORTANT DATES:

Last day you may drop class without a signature: October 20
Last day you may drop class with a signature: November 3
First Essay Due: Thursday, October 5
Second Essay Due: Thursday, October 19
Special Focus Project Due: Thursday, November 9
Mid-Term Exam: Tuesday, October 10
Final Exam: Tuesday, November 21

SCHEDULE OF READINGS, ASSIGNMENTS, ACTIVITIES

Week 1, Sept. 11-17

INTRODUCTION

Tue., Sept. 12th

Overview of course/Syllabus
In-class writing sample

Thurs., Sept.14th Special Focus Project explained 
Read "Seeing and Writing" pp. XXXIII - LVI
Discussion of stages of writing: Note-making, Outlining, Drafting, Revision
Pre-Test for Grammar and Punctuation in Guide
Week 2, Sept. 18-24 DESCRIPTION
Tue., Sept. 19 Read "Observing the Ordinary," pp. 2 - 6 & Annie Dillard, "Seeing," pp. 38-48
Mistakes to avoid in writing: Generating and Formulating, Subject Vs. Topic, Specific Vs. Abstract 
Thurs., Sept. 21 Read "The Great Figure," p. 9. 
Analyze "The Figure 5 in Gold," p. 8  & "Television Moon," p. 36.  RESPONSE PAPER # 1 due
Library walking tour
Week 3, Sept. 25-Oct. 1 DESCRIPTION
Tues., Sept. 26 Read "Coming to Terms with Place," pp. 68-70 & E. Hirsch, "Edward Hopper ...," p. 73. Analyze "House by the Railroad," p. 72 Analyze the ad:  "Families Are Realizing Distance Doesn't Have to Keep Them Apart," p. 122 & "Coca-Cola Company,"p. 69 
RESPONSE PAPER # 2 due
Read Scott R. Sanders, "Homeplace," pp. 101 - 104. 
Discussion of the descriptive mode of writing 
Writing Groups Assigned
Thurs., Sept. 28 ESSAY ONE ASSIGNED
Read Eudora Welty, "The Little Store," pp. 78 - 85
Watch an Ad Documentary film
Week 4, Oct. 2-8 NARRATION
Tues., Oct. 3 ROUGH DRAFT & OUTLINE OF ESSAY ONE DUE
Read "Capturing Memorable Moments," pp. 138-142 & Isabel Allende, "Omayra Sanchez," p. 145 & J. Budnitz, "Park Bench," pp. 148-151. 
Discussion of the narrative mode of writing.
Thurs., Oct. 5 FINAL DRAFT OF ESSAY ONE DUE
Analyze "Children Fleeing a Napalm ..." p. 162-163.
Read Susan Sontag, "Photography," pp. 183 -184 & D. Allison, "This Is Our World," pp. 155 - 160
Week 5, Oct. 9-15 NARRATION
Tues., Oct. 10 MIDTERM
Thurs., Oct. 12 ESSAY ONE RETURNED
ESSAY TWO ASSIGNED
SPECIAL FOCUS SUBJECT DUE
Read "Figuring the Body," pp. 196 - 200 & Judith Cofer, "The Story of My Body," pp. 208 - 215. 
RESPONSE PAPER # 3 due
Week 6, Oct. 16-22 COMPARISON and CONTRAST
Tues., Oct. 17  Read "Engendering Difference," pp. 258-263 & J. Kincaid, "Girl," p. 264 & K. Pollitt, "Why Boys Don't Play With Dolls," pp. 316-317.
ROUGH DRAFT & OUTLINE OF ESSAY TWO DUE
Editing Sheet for Essay One Due
Discussion of the comparison & contrast mode of writing
Thurs., Oct. 19 Presentation of Film Excerpts: Mississippi Masala
FINAL DRAFT OF ESSAY TWO DUE
Week 7, Oct. 23-29 COMPARISON and CONTRAST
Tues., Oct. 24 Read "Men, Women, Sex, And Darwin, pp. 281-288.  Analyze A. Spiegelman, "Nature vs. Nurture"
RESPONSE PAPER # 4 due
Sign up for conference
Thurs., Oct. 26 CLASS CANCELED FOR CONFERENCES
ROUGH DRAFT OF PART ONE OF SPECIAL FOCUS PROJECT DUE (bring your draft to the conference)
Week 8, Oct. 30-Nov. 5 DEFINITION
Tues., Oct. 31 Read "Constructing Race," pp. 326 - 330 & Gish Jen, "What Means Switch," pp. 339-349.
ESSAY TWO RETURNED
ROUGH DRAFT OF PART TWO OF SPECIAL FOCUS PROJECT DUE
Thurs., Nov. 2  CLASS CANCELED FOR "IN MY OWN VOICE"
Week 9, Nov. 6-12 SPECIAL FOCUS PROJECT
Tues., Nov. 7 Read B. Grover, "Growing up White in America," p. 377 & W. E. B. DuBois, "Double Consciousness," p. 383. Analyze the four images "Real Native Americans," pp. 364-365. Editing Sheet for Essay Two Due
ROUGH DRAFT PART THREE OF SPECIAL FOCUS PROJECT DUE
Thurs., Nov. 9 Read "Reading Icons," pp. 399 - 400 & Sharon Olds, "The Death of Marilyn Monroe," p. 402. Analyze the film shot: Sam Shaw, "Marilyn Monroe and Tom Ewell ..." p. 403 & the five paintings by Andy Warhol, pp. 408 - 411. SPECIAL FOCUS PROJECT DUE
Week 10, Nov. 13-19 REVIEW
Tues., Nov. 14 Read "The Heroine Worship," pp. 412-416. 
Analyze the series of "Madonna, 1982 - 1999" photographs, pp. 432-433. 
RESPONSE PAPER # 5 due
Review for Final
Thurs., Nov. 16 Review for Final

FINAL EXAM: TUESDAY, NOVEMBER 21, 9:00 - 11:00 a.m (same classroom).

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