The A:D:A:P:T Festival




Web Landscape0 is a sampling machine that allows to produce visions of the Brazilian Northeast from the mixing of sounds, images, videos and texts from its database http://paisagem0.sescsp.org.br/ > > realization: SESC - SP > > giselle beiguelman (conception and direction) > > marcus bastos (edition) > > malu maia (supervision) > > rafael marchetti renno (technology and interface design) > > adriano rocha (database modelling) > > luiz roberto mendes gonçalves (english version) > > ricardo muniz (Project Landscape0 curatorship) brazil field recordings made in the disused former Soviet warport of Karosta, Latvia. the dates of the texts/recordings are on the upper left. click on the 17 Dec to read the initial concept, then follow the story to see where it went. The webpage, with extensive documentation, RealVideo and OggVorbis audio, lives here: http://karosta.edworks.net/ derek holzer and sara kolster, netherlands http://www.briankane.net/gershwin brian kane, usa i have a peice of music that only uses the sound of my microwave, and the digital interferrence it causes. the work is called "microwave cell" http://artists.iuma.com/IUMA/Bands/tionlee/ tionlee, usa http://www.soundinjury.co.uk sound injury, uk two neoscenes live performances, one at the Dutch Electronic Art Festival, and the other for remote-tv.de in Berlin. the material is mixed from my archived memory of audio & video footage which gathered in this, a primary age of decay http://kubrick.colorado.edu:6060/ramgen/hopkins/remote-tv.02.02.03.rm john hopkins, usa 12 real audio tracks available, all created from audio surrounding 9-11. very much attached to ruined structures, architectural collapse, decay, memory direct link to audio component (interface): http://rhizome.org/artbase/3075/Document911/Infiltration.htm see the whole net project from the start (on rhizome) at: http://rhizome.org/artbase/3075/Document911/CBC.htm saibot and ssiess, canada this video is based on a live performance using keyworx software (http://www.keyworx.org), and I use sound input from musicians as a major controlling element in the manipulation of visual material. the music is by Sven Erga ( max msp processing) and Tania Orning (cello) http://www.notam02.no/motherboard/mov02/untitled.mov amanda steggell, norway "what when all the air is on the ground?" -- a piece by camp http://www.notype.com/camp/media/work/camp-what_when_all_the_air.mp3 david turgeon, canada http://microsound.org/bufferfuct/audio/bfr_fct_by_max-the_girl.mp3 stephen ruiz / zygote, usa the track's title is "P p.P, only For Me" http://www.punck.net/ctrlaltcanc/ctrl08pagani.html luca pagani, italy "inches", inspired in part by Milton Babbitt's music, uses familiar-sounding but nevertheless de-contextualized vocal syllables to disorient listeners and mislead them into a false sense of security http://www.area17media.com/amos/music/inches.mp3 "100 Hours" is meant as a representation of the structures of thought broken to bits by 100 straight hours of "partying hard". despite the excesses, the bits hang together on ethereal threads of pitch http://www.area17media.com/amos/music/100hours.mp3 "pygmie variation" is the total destruction of a pleasant song inspired by the free-form music of the Pygmies of central Africa http://www.area17media.com/amos/music/pygmievariation.mp3 amos bloomberg, unknown the piece is entitled 'The History of PIN Numbers'. it is a piece I finished a few months back where my main thoughts behind it were the birthing and then decomposition of memory based information systems. It's largely interpretational, but my intention was to give play between the notions of repetition and random processing, ultimately giving way to an organic crescendo of random processes that were ambiguous to the extent that it was unclear whether stucture was being created or being dismantled. I wanted this to be somewhat an aural analogy to the growing and chaotic nature of 21st century transactions, whether commerce, social, etc where number systems are constantly created, destroyed, restored, stored, made defunct, unarchived, protected, hacked, counterfeited, made obsolete http://www.nkhstudio.com/v2_mp3/the_history_of_pin_numbers.mp3 nate harrison, usa FUTURE REMIX IS MUTANT TECHNO MANTRA. IT’S A MIX OF HARDCORE NOISE MERGE. my sound projects have a messed-up and ruined quality to them, and might be suitable for your exhibition. My pieces Noise Death Accumulator, Zen for Headphones and Mutant Head Noise might be the most relevant to your project Noise Death Accumulator http://www.future-remix.com/03.03.10.mix-down.html Zen for Headphones http://www.future-remix.com/03.04.12.mix-down.html Mutant Head Noise http://www.future-remix.com/03.04.14.mix-down.html bernhard living, uk http://incident.net/works/buildings/test.html michaël sellam, france http://www.I-I-I-I.org/hardbody tanja vujinovic and zvonka simcic, slovenia (the artists have expressed their desire that this piece not be remixed but be included on this page for archival purposes only) http://new.heimat.de/home/monitorautomatique/video/jvl.mov http://new.heimat.de/home/monitorautomatique/video/bologna.mov timm, monitor.automatique, germany http://www.electronicroom.com/fpm/ normale, italy (elec) plunderphonic ache that's all about runined structures, decay, and memory http://slpv2.org/ifthendo/mp3/thereadymades.thewayitwas.mp3 http://slpv2.org/ifthendo/mp3/thereadymades.thememoryofyou.mp3 http://slpv2.org/ifthendo/mp3/thereadymades.doyouloveme.mp3 the readymades, canada here is a piece based on the old walkway of the Williamsburg Bridge in NYC: When I lived in Williamsburg in 1997-98, I used to walk the bridge into Manhattan. During this period they were in the process of reconstructing both the roadways and the pedestrian path of the bridge. They eventually tore down the entire walkway, a fantastic hodgepodge of metal plates, wood planks, stone tablets, graffiti and decay, and replaced it with a clean metal pedestrian bridge. Before that happened, however, I was able to map the entire length of the bridge, notating every surface element along the 20-minute walk, resulting in a score of thousands of individual pieces of wood, metal, and stone. The MP3 file I've posted is based loosely on the Brooklyn-side stairwell to the bridge, and is derived from the audio portion of a videotaped walk I took across the bridge just before I moved back to California. I isolated a section of construction sounds (probably destruction as well) and created a loop, then plugged the sample into a compositional form I've been using: stacking successive versions of the original sample pitched down in thirds, allowing the harmonics to decay over gradually increasing lengths of time. The piece is both a record of the bridge at that time and a poetic recollection of my life in NYC http://www.csulb.edu/~gbach/bridge.htm glenn bach, usa a short 2 minute piece made from the Media Deconstruction Kit entitled "Operation Artistic Freedom." http://www.usdept-arttech.net/tel-span/video_mdk.html randall packer, usa