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LONDON:
PRINTED BY C.H. REYNELL, BROAD-STREET, GOLDEN-SQUARE.
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THE ISLAND,
OR
CHRISTIAN AND HIS COMRADES.
BY THE
RIGHT HON. LORD BYRON.
LONDON, 1823:
PRINTED FOR JOHN HUNT,
22, OLD BOND STREET.
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The foundation of the following story will be found partly in the account of the Mutiny of the Bounty in the South Seas (in 1789) and partly in "Mariner's Account of the Tonga Islands."
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THE ISLAND.
CANTO I.
I.
The morning watch was come; the vessel lay | |
Her course, and gently made her liquid way; | |
The cloven billow flashed from off her prow | |
In furrows formed by that majestic plough; | |
The waters with their world were all before; | |
Behind, the South Sea's many an islet shore. | |
The quiet night, now dappling, 'gan to wane, | |
Dividing darkness from the dawning main; | |
The dolphins, not unconscious of the day, | |
Swam high, as eager of the coming ray; | 10 |
The stars from broader beams began to creep, | |
And lift their shining eyelids from the deep; | |
The sail resumed its lately shadowed white, | |
And the wind fluttered with a freshening flight; | |
The purpling Ocean owns the coming Sun, | |
But ere he break – a deed is to be done. | |
II.
The gallant Chief within his cabin slept, | |
Secure in those by whom the watch was kept: | |
His dreams were of Old England's welcome shore, | |
Of toils rewarded, and of dangers o'er; | 20 |
His name was added to the glorious roll | |
Of those who search the storm-surrounded Pole. | |
The worst was over, and the rest seemed sure, | |
And why should not his slumber be secure? | |
Alas! his deck was trod by unwilling feet, | |
And wilder hands would hold the vessel's sheet; | |
Young hearts, which languished for some sunny isle, | |
Where summer years and summer women smile; | |
Men without country, who, too long estranged, | |
Had found no native home, or found it changed, | 30 |
And, half uncivilised, preferred the cave | |
Of some soft savage to the uncertain wave – | |
The gushing fruits that nature gave unfilled; | |
The wood without a path – but where they willed; | |
The field o'er which promiscuous Plenty poured | |
Her horn; the equal land without a lord; | |
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The wish – which ages have not yet subdued | |
In man – to have no master save his mood; | |
The earth, whose mine was on its face, unsold, | |
The glowing sun and produce all its gold; | 40 |
The Freedom which can call each grot a home; | |
The general garden, where all steps may roam, | |
Where Nature owns a nation as her child, | |
Exulting in the enjoyment of the wild; | |
Their shells, their fruits, the only wealth they know, | |
Their unexploring navy, the canoe; | |
Their sport, the dashing breakers and the chase; | |
Their strangest sight, an European face: – | |
Such was the country which these strangers yearned | |
To see again – a sight they dearly earned. | 50 |
III.
Awake, bold Bligh! the foe is at the gate! | |
Awake! awake! – – Alas! it is too late! | |
Fiercely beside thy cot the mutineer | |
Stands, and proclaims the reign of rage and fear. | |
Thy limbs are bound, the bayonet at thy breast; | |
The hands, which trembled at thy voice, arrest; | |
Dragged o'er the deck, no more at thy command | |
The obedient helm shall veer, the sail expand; | |
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That savage Spirit, which would lull by wrath | |
Its desperate escape from Duty's path, | 60 |
Glares round thee, in the scarce believing eyes | |
Of those who fear the Chief they sacrifice: | |
For ne'er can Man his conscience all assuage, | |
Unless he drain the wine of Passion – Rage. | |
IV.
In vain, not silenced by the eye of Death, | |
Thou call'st the loyal with thy menaced breath: – | |
They come not; they are few, and, overawed, | |
Must acquiesce, while sterner hearts applaud. | |
In vain thou dost demand the cause: a curse | |
Is all the answer, with the threat of worse. | 70 |
Full in thine eyes is waved the glittering blade, | |
Close to thy throat the pointed bayonet laid. | |
The levelled muskets circle round thy breast | |
In hands as steeled to do the deadly rest. | |
Thou dar'st them to their worst, exclaiming – "Fire!" | |
But they who pitied not could yet admire; | |
Some lurking remnant of their former awe | |
Restrained them longer than their broken law; | |
They would not dip their souls at once in blood, | |
But left thee to the mercies of the flood. | 80 |
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V.
"Hoist out the boat!" was now the leader's cry; | |
And who dare answer "No!" to Mutiny, | |
In the first dawning of the drunken hour, | |
The Saturnalia of unhoped-for power? | |
The boat is lowered with all the haste of hate, | |
With its slight plank between thee and thy fate; | |
Her only cargo such a scant supply | |
As promises the death their hands deny; | |
And just enough of water and of bread | |
To keep, some days, the dying from the dead: | 90 |
Some cordage, canvass, sails, and lines, and twine, | |
But treasures all to hermits of the brine, | |
Were added after, to the earnest prayer | |
Of those who saw no hope, save sea and air; | |
And last, that trembling vassal of the Pole – | |
The feeling compass – Navigation's soul. | |
VI.
And now the self-elected Chief finds time | |
To stun the first sensation of his crime, | |
And raise it in his followers – "Ho! the bowl!" | |
Lest passion should return to reason's shoal. | 100 |
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"Brandy for heroes!" Burke could once exclaim – | |
No doubt a liquid path to Epic fame; | |
And such the new-born heroes found it here, | |
And drained the draught with an applauding cheer. | |
"Huzza! for Otaheite!" was the cry. | |
How strange such shouts from sons of Mutiny! | |
The gentle island, and the genial soil, | |
The friendly hearts, the feasts without a toil, | |
The courteous manners but from nature caught, | |
The wealth unhoarded, and the love unbought; | 110 |
Could these have charms for rudest sea-boys, driven | |
Before the mast by every wind of heaven? | |
And now, even now prepared with others' woes | |
To earn mild Virtue's vain desire, repose? | |
Alas! such is our nature! all but aim | |
At the same end by pathways not the same; | |
Our means – our birth – our nation, and our name, | |
Our fortune – temper – even our outward frame, | |
Are far more potent o'er our yielding clay | |
Than aught we know beyond our little day. | 120 |
Yet still there whispers the small voice within, | |
Heard through Gain's silence, and o'er Glory's din: | |
Whatever creed be taught, or land be trod, | |
Man's conscience is the Oracle of God. | |
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VII.
The launch is crowded with the faithful few | |
Who wait their Chief, a melancholy crew: | |
But some remained reluctant on the deck | |
Of that proud vessel – now a moral wreck – | |
And viewed their Captain's fate with piteous eyes; | |
While others scoffed his augured miseries, | 130 |
Sneered at the prospect of his pigmy sail, | |
And the slight bark so laden and so frail. | |
The tender nautilus, who steers his prow, | |
The sea-born sailor of his shell canoe, | |
The ocean Mab, the fairy of the sea, | |
Seems far less fragile, and, alas! more free. | |
He, when the lightning-winged Tornados sweep | |
The surge, is safe – his port is in the deep – | |
And triumphs o'er the armadas of Mankind, | |
Which shake the World, yet crumble in the wind. | 140 |
VIII.
When all was now prepared, the vessel clear | |
Which hailed her master in the mutineer, | |
A seaman, less obdurate than his mates, | |
Showed the vain pity which but irritates; | |
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Watched his late Chieftain with exploring eye, | |
And told, in signs, repentant sympathy; | |
Held the moist shaddock to his parched mouth, | |
Which felt Exhaustion's deep and bitter drouth. | |
But soon observed, this guardian was withdrawn, | |
Nor further Mercy clouds Rebellion's dawn. | 150 |
Then forward stepped the bold and froward boy | |
His Chief had cherished only to destroy, | |
And, pointing to the helpless prow beneath, | |
Exclaimed, "Depart at once! delay is death!" | |
Yet then, even then, his feelings ceased not all: | |
In that last moment could a word recall | |
Remorse for the black deed as yet half done, | |
And what he hid from many showed to one: | |
When Bligh in stern reproach demanded where | |
Was now his grateful sense of former care? | 160 |
Where all his hopes to see his name aspire, | |
And blazon Britain's thousand glories higher? | |
His feverish lips thus broke their gloomy spell, | |
"Tis that! 'tis that! I am in hell! in hell!" | |
No more he said; but urging to the bark | |
His Chief, commits him to his fragile ark; | |
These the sole accents from his tongue that fell, | |
But volumes lurked below his fierce farewell. | |
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IX.
The arctic Sun rose broad above the wave; | |
The breeze now sank, now whispered from his cave; | 170 |
As on the Æolian harp, his fitful wings | |
Now swelled, now fluttered o'er his Ocean strings. | |
With slow, despairing oar, the abandoned skiff | |
Ploughs its drear progress to the scarce seen cliff, | |
Which lifts its peak a cloud above the main: | |
That boat and ship shall never meet again! | |
But 'tis not mine to tell their tale of grief, | |
Their constant peril, and their scant relief; | |
Their days of danger, and their nights of pain; | |
Their manly courage even when deemed in vain; | 180 |
The sapping famine, rendering scarce a son | |
Known to his mother in the skeleton; | |
The ills that lessened still their little store, | |
And starved even Hunger till he wrung no more; | |
The varying frowns and favours of the deep, | |
That now almost ingulfs, then leaves to creep | |
With crazy oar and shattered strength along | |
The tide that yields reluctant to the strong; | |
The incessant fever of that arid thirst | |
Which welcomes, as a well, the clouds that burst | 190 |
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Above their naked bones, and feels delight | |
In the cold drenching of the stormy night, | |
And from the outspread canvass gladly wrings | |
A drop to moisten Life's all-gasping springs; | |
The savage foe escaped, to seek again | |
More hospitable shelter from the main; | |
The ghastly Spectres which were doomed at last | |
To tell as true a tale of dangers past, | |
As ever the dark annals of the deep | |
Disclosed for man to dread or woman weep. | 200 |
X.
We leave them to their fate, but not unknown | |
Nor unredressed. Revenge may have her own: | |
Roused Discipline aloud proclaims their cause, | |
And injured Navies urge their broken laws. | |
Pursue we on his track the mutineer, | |
Whom distant vengeance had not taught to fear. | |
Wide o'er the wave – away! away! away! | |
Once more his eyes shall hail the welcome bay; | |
Once more the happy shores without a law | |
Receive the outlaws whom they lately saw; | 210 |
Nature, and Nature's goddess – Woman – woos | |
To lands where, save their conscience, none accuse; | |
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Where all partake the earth without dispute, | |
And bread itself is gathered as a fruit;* | |
Where none contest the fields, the woods, the streams: – | |
The goldless Age, where Gold disturbs no dreams, | |
Inhabits or inhabited the shore, | |
Till Europe taught them better than before; | |
Bestowed her customs, and amended theirs, | |
But left her vices also to their heirs. | 220 |
Away with this! behold them as they were, | |
Do good with Nature, or with Nature err. | |
"Huzza! for Otaheite!" was the cry, | |
As stately swept the gallant vessel by. | |
The breeze springs up; the lately flapping sail | |
Extends its arch before the growing gale; | |
In swifter ripples stream aside the seas, | |
Which her bold bow flings off with dashing ease. | |
Thus Argo ploughed the Euxine's virgin foam, | |
But those she wafted still looked back to home -- | 230 |
These spurn their country with their rebel bark, | |
And fly her as the raven fled the Ark; | |
And yet they seek to nestle with the dove, | |
And tame their fiery spirits down to Love. | 234 |
END OF CANTO FIRST.
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CANTO II.
I.
How pleasant were the songs of Toobonai,* | |
When Summer's Sun went down the coral bay! | |
Come, let us to the islet's softest shade, | |
And hear the warbling birds! the damsels said: | |
The wood-dove from the forest depth shall coo, | |
Like voices of the Gods from Bolotoo; | |
We'll cull the flowers that grow above the dead, | |
For these most bloom where rests the warrior's head; | |
And we will sit in Twilight's face, and see | |
The sweet Moon glancing through the Tooa370] tree, | 10 |
The lofty accents of whose sighing bough | |
Shall sadly please us as we lean below; | |
Or climb the steep, and view the surf in vain | |
Wrestle with rocky giants o'er the main, | |
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Which spurn in columns back the baffled spray. | |
How beautiful are these! how happy they, | |
Who, from the toil and tumult of their lives, | |
Steal to look down where nought but Ocean strives! | |
Even He too loves at times the blue lagoon, | |
And smooths his ruffled mane beneath the Moon. | 20 |
II.
Yes – from the sepulchre we'll gather flowers, | |
Then feast like spirits in their promised bowers, | |
Then plunge and revel in the rolling surf, | |
Then lay our limbs along the tender turf, | |
And, wet and shining from the sportive toil, | |
Anoint our bodies with the fragrant oil, | |
And plait our garlands gathered from the grave, | |
And wear the wreaths that sprung from out the brave. | |
But lo! night comes, the Mooa woos us back, | |
The sound of mats are heard along our track; | 30 |
Anon the torchlight dance shall fling its sheen | |
In flashing mazes o'er the Marly's green; | |
And we too will be there; we too recall | |
The memory bright with many a festival, | |
Ere Fiji blew the shell of war, when foes | |
For the first time were wafted in canoes. | |
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Alas! for them the flower of manhood bleeds; | |
Alas! for them our fields are rank with weeds: | |
Forgotten is the rapture, or unknown, | |
Of wandering with the Moon and Love alone. | 40 |
But be it so: – they taught us how to wield | |
The club, and rain our arrows o'er the field: | |
Now let them reap the harvest of their art! | |
But feast to-night! to-morrow we depart. | |
Strike up the dance! the Cava bowl fill high! | |
Drain every drop! – to-morrow we may die. | |
In summer garments be our limbs arrayed; | |
Around our waists the Tappa's white displayed; | |
Thick wreaths shall form our coronal, like Spring's, | |
And round our necks shall glance the Hooni strings; | 50 |
So shall their brighter hues contrast the glow | |
Of the dusk bosoms that beat high below. | |
III.
But now the dance is o'er – yet stay awhile; | |
Ah, pause! nor yet put out the social smile. | |
To-morrow for the Mooa we depart, | |
But not to-night – to-night is for the heart. | |
Again bestow the wreaths we gently woo, | |
Ye young Enchantresses of gay Licoo! | |
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How lovely are your forms! how every sense | |
Bows to your beauties, softened, but intense, | 60 |
Like to the flowers on Mataloco's steep, | |
Which fling their fragrance far athwart the deep! – | |
We too will see Licoo; but – oh! my heart! – | |
What do I say? – to-morrow we depart! | |
IV.
Thus rose a song – the harmony of times | |
Before the winds blew Europe o'er these climes. | |
True, they had vices – such are Nature's growth – | |
But only the barbarian's – we have both; | |
The sordor of civilisation, mixed | |
With all the savage which Man's fall hath fixed. | 70 |
Who hath not seen Dissimulation's reign, | |
The prayers of Abel linked to deeds of Cain? | |
Who such would see may from his lattice view | |
The Old World more degraded than the New, – | |
Now new no more, save where Columbia rears | |
Twin giants, born by Freedom to her spheres, | |
Where Chimborazo, over air, – earth, – wave, – | |
Glares with his Titan eye, and sees no slave. | |
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V.
Such was this ditty of Tradition's days, | |
Which to the dead a lingering fame conveys | 80 |
In song, where Fame as yet hath left no sign | |
Beyond the sound whose charm is half divine; | |
Which leaves no record to the sceptic eye, | |
But yields young History all to Harmony; | |
A boy Achilles, with the Centaur's lyre | |
In hand, to teach him to surpass his sire. | |
For one long-cherished ballad's simple stave, | |
Rung from the rock, or mingled with the wave, | |
Or from the bubbling streamlet's grassy side, | |
Or gathering mountain echoes as they glide, | 90 |
Hath greater power o'er each true heart and ear, | |
Than all the columns Conquest's minions rear; | |
Invites, when Hieroglyphics are a theme | |
For sages' labours, or the student's dream; | |
Attracts, when History's volumes are a toil, – | |
The first, the freshest bud of Feeling's soil. | |
Such was this rude rhyme – rhyme is of the rude – | |
But such inspired the Norseman's solitude, | |
Who came and conquered; such, wherever rise | |
Lands which no foes destroy or civilise, | 100 |
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Exist: and what can our accomplished art | |
Of verse do more than reach the awakened heart? | |
VI.
And sweetly now those untaught melodies | |
Broke the luxurious silence of the skies, | |
The sweet siesta of a summer day, | |
The tropic afternoon of Toobonai, | |
When every flower was bloom, and air was balm, | |
And the first breath began to stir the palm, | |
The first yet voiceless wind to urge the wave | |
All gently to refresh the thirsty cave, | 110 |
Where sat the Songstress with the stranger boy, | |
Who taught her Passion's desolating joy, | |
Too powerful over every heart, but most | |
O'er those who know not how it may be lost; | |
O'er those who, burning in the new-born fire, | |
Like martyrs revel in their funeral pyre, | |
With such devotion to their ecstacy, | |
That Life knows no such rapture as to die: | |
And die they do; for earthly life has nought | |
Matched with that burst of Nature, even in thought; | 120 |
And all our dreams of better life above | |
But close in one eternal gush of Love. | |
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VII.
There sat the gentle savage of the wild, | |
In growth a woman, though in years a child, | |
As childhood dates within our colder clime, | |
Where nought is ripened rapidly save crime; | |
The infant of an infant world, as pure | |
From Nature – lovely, warm, and premature; | |
Dusky like night, but night with all her stars; | |
Or cavern sparkling with its native spars; | 130 |
With eyes that were a language and a spell, | |
A form like Aphrodite's in her shell, | |
With all her loves around her on the deep, | |
Voluptuous as the first approach of sleep; | |
Yet full of life – for through her tropic cheek | |
The blush would make its way, and all but speak; | |
The sun-born blood suffused her neck, and threw | |
O'er her clear nut-brown skin a lucid hue, | |
Like coral reddening through the darkened wave, | |
Which draws the diver to the crimson cave. | 140 |
Such was this daughter of the southern seas, | |
Herself a billow in her energies, | |
To bear the bark of others' happiness, | |
Nor feel a sorrow till their joy grew less: | |
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Her wild and warm yet faithful bosom knew | |
No joy like what it gave; her hopes ne'er drew | |
Aught from Experience, that chill touchstone, whose | |
Sad proof reduces all things from their hues: | |
She feared no ill, because she knew it not, | |
Or what she knew was soon – too soon – forgot: | 150 |
Her smiles and tears had passed, as light winds pass | |
O'er lakes to ruffle, not destroy, their glass, | |
Whose depths unsearched, and fountains from the hill, | |
Restore their surface, in itself so still, | |
Until the Earthquake tear the Naiad's cave, | |
Root up the spring, and trample on the wave, | |
And crush the living waters to a mass, | |
The amphibious desert of the dank morass! | |
And must their fate be hers? The eternal change | |
But grasps Humanity with quicker range; | 160 |
And they who fall but fall as worlds will fall, | |
To rise, if just, a Spirit o'er them all. | |
VIII.
And who is he? the blue-eyed northern child | |
Of isles more known to man, but scarce less wild; | |
The fair-haired offspring of the Hebrides, | |
Where roars the Pentland with its whirling seas; | |
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Rocked in his cradle by the roaring wind, | |
The tempest-born in body and in mind, | |
His young eyes opening on the ocean-foam, | |
Had from that moment deemed the deep his home, | 170 |
The giant comrade of his pensive moods, | |
The sharer of his craggy solitudes, | |
The only Mentor of his youth, where'er | |
His bark was borne; the sport of wave and air; | |
A careless thing, who placed his choice in chance, | |
Nursed by the legends of his land's romance; | |
Eager to hope, but not less firm to bear, | |
Acquainted with all feelings save despair. | |
Placed in the Arab's clime he would have been | |
As bold a rover as the sands have seen, | 180 |
And braved their thirst with as enduring lip | |
As Ishmael, wafted on his desert-ship*; | |
Fixed upon Chili's shore, a proud Cacique: | |
On Hellas' mountains, a rebellious Greek; | |
Born in a tent, perhaps a Tamerlane; | |
Bred to a throne, perhaps unfit to reign. | |
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For the same soul that rends its path to sway, | |
If reared to such, can find no further prey | |
Beyond itself, and must retrace its way,† | |
Plunging for pleasure into pain: the same | 190 |
Spirit which made a Nero, Rome's worst shame, | |
A humbler state and discipline of heart, | |
Had formed his glorious namesake's counterpart;‡ | |
But grant his vices, grant them all his own, | |
How small their theatre without a throne! | |
IX.
Thou smilest: – these comparisons seem high | |
To those who scan all things with dazzled eye; | |
Linked with the unknown name of one whose doom | |
Has nought to do with glory or with Rome, | |
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With Chili, Hellas, or with Araby; -- | 200 |
Thou smilest? – Smile; 'tis better thus than sigh; | |
Yet such he might have been; he was a man, | |
A soaring spirit, ever in the van, | |
A patriot hero or despotic chief, | |
To form a nation's glory or its grief, | |
Born under auspices which make us more | |
Or less than we delight to ponder o'er. | |
But these are visions; say, what was he here? | |
A blooming boy, a truant mutineer. | |
The fair-haired Torquil, free as Ocean's spray, | 210 |
The husband of the bride of Toobonai. | |
X.
By Neuha's side he sate, and watched the waters, – | |
Neuha, the sun-flower of the island daughters, | |
Highborn, (a birth at which the herald smiles, | |
Without a scutcheon for these secret isles,) | |
Of a long race, the valiant and the free, | |
The naked knights of savage chivalry, | |
Whose grassy cairns ascend along the shore; | |
And thine – I've seen – Achilles! do no more. | |
She, when the thunder-bearing strangers came, | 220 |
In vast canoes, begirt with bolts of flame, | |
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Topped with tall trees, which, loftier than the palm, | |
Seemed rooted in the deep amidst its calm: | |
But when the winds awakened, shot forth wings | |
Broad as the cloud along the horizon flings, | |
And swayed the waves, like cities of the sea, | |
Making the very billows look less free; – | |
She, with her paddling oar and dancing prow, | |
Shot through the surf, like reindeer through the snow, | |
Swift-gliding o'er the breaker's whitening edge, | 230 |
Light as a Nereid in her ocean sledge, | |
And gazed and wondered at the giant hulk, | |
Which heaved from wave to wave its trampling bulk. | |
The anchor dropped; it lay along the deep, | |
Like a huge lion in the sun asleep, | |
While round it swarmed the Proas' flitting chain, | |
Like summer bees that hum around his mane. | |
XI.
The white man landed! – need the rest be told? | |
The New World stretched its dusk hand to the Old; | |
Each was to each a marvel, and the tie | 240 |
Of wonder warmed to better sympathy. | |
Kind was the welcome of the sun-born sires, | |
And kinder still their daughters' gentler fires. | |
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Their union grew: the children of the storm | |
Found beauty linked with many a dusky form; | |
While these in turn admired the paler glow, | |
Which seemed so white in climes that knew no snow. | |
The chace, the race, the liberty to roam, | |
The soil where every cottage showed a home; | |
The sea-spread net, the lightly launched canoe, | 250 |
Which stemmed the studded archipelago, | |
O'er whose blue bosom rose the starry isles; | |
The healthy slumber, earned by sportive toils; | |
The palm, the loftiest Dryad of the woods, | |
Within whose bosom infant Bacchus broods, | |
While eagles scarce build higher than the crest | |
Which shadows o'er the vineyard in her breast; | |
The Cava feast, the Yam, the Cocoa's root, | |
Which bears at once the cup, and milk, and fruit; | |
The Bread-tree, which, without the ploughshare, yields | 260 |
The unreaped harvest of unfurrowed fields, | |
And bakes its unadulterated loaves | |
Without a furnace in unpurchased groves, | |
And flings off famine from its fertile breast, | |
A priceless market for the gathering guest; – | |
These, with the luxuries of seas and woods, | |
The airy joys of social solitudes, | |
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Tamed each rude wanderer to the sympathies | |
Of those who were more happy, if less wise, | |
Did more than Europe's discipline had done, | 270 |
And civilised Civilisation's son! | |
XII.
Of these, and there was many a willing pair, | |
Neuha and Torquil were not the least fair: | |
Both children of the isles, though distant far; | |
Both born beneath a sea-presiding star; | |
Both nourished amidst Nature's native scenes, | |
Loved to the last, whatever intervenes | |
Between us and our Childhood's sympathy, | |
Which still reverts to what first caught the eye. | |
He who first met the Highlands' swelling blue | 280 |
Will love each peak that shows a kindred hue, | |
Hail in each crag a friend's familiar face, | |
And clasp the mountain in his Mind's embrace. | |
Long have I roamed through lands which are not mine, | |
Adored the Alp, and loved the Apennine, | |
Revered Parnassus, and beheld the steep | |
Jove's Ida and Olympus crown the deep: | |
But 'twas not all long ages' lore, nor all | |
Their nature held me in their thrilling thrall; | |
|
The infant rapture still survived the boy, | 290 |
And Loch-na-gar with Ida looked o'er Troy,* | |
Mixed Celtic memories with the Phrygian mount, | |
And Highland linns with Castalie's clear fount. | |
Forgive me, Homer's universal shade! | |
Forgive me, Phœbus! that my fancy strayed; | |
The North and Nature taught me to adore | |
Your scenes sublime, from those beloved before. | |
XIII.
The love which maketh all things fond and fair, | |
The youth which makes one rainbow of the air, | |
The dangers past, that make even Man enjoy | 300 |
The pause in which he ceases to destroy, | |
The mutual beauty, which the sternest feel | |
Strike to their hearts like lightning to the steel, | |
|
United the half savage and the whole, | |
The maid and boy, in one absorbing soul. | |
No more the thundering memory of the fight | |
Wrapped his weaned bosom in its dark delight; | |
No more the irksome restlessness of Rest | |
Disturbed him like the eagle in her nest, | |
Whose whetted beak and far-pervading eye | 310 |
Darts for a victim over all the sky: | |
His heart was tamed to that voluptuous state, | |
At once Elysian and effeminate, | |
Which leaves no laurels o'er the Hero's urn; – | |
These wither when for aught save blood they burn; | |
Yet when their ashes in their nook are laid, | |
Doth not the myrtle leave as sweet a shade? | |
Had Cæsar known but Cleopatra's kiss, | |
Rome had been free, the world had not been his. | |
And what have Cæsar's deeds and Cæsar's fame | | 320
Done for the earth? We feel them in our shame. | |
The gory sanction of his Glory stains | |
The rust which tyrants cherish on our chains. | |
Though Glory – Nature – Reason – Freedom, bid | |
Roused millions do what single Brutus did – | |
Sweep these mere mock-birds of the Despot's song | |
From the tall bough where they have perched so long, – | |
|
Still are we hawked at by such mousing owls, | |
And take for falcons those ignoble fowls, | |
When but a word of freedom would dispel | 330 |
These bugbears, as their terrors show too well. | |
XV.
Rapt in the fond forgetfulness of life, | |
Neuha, the South Sea girl, was all a wife, | |
With no distracting world to call her off | |
From Love; with no Society to scoff | |
At the new transient flame; no babbling crowd | |
Of coxcombry in admiration loud, | |
Or with adulterous whisper to alloy | |
Her duty, and her glory, and her joy: | |
With faith and feelings naked as her form, | 340 |
She stood as stands a rainbow in a storm, | |
Changing its hues with bright variety, | |
But still expanding lovelier o'er the sky, | |
Howe'er its arch may swell, its colours move, | |
The cloud-compelling harbinger of Love. | |
|
XVI.
Here, in this grotto of the wave-worn shore, | |
They passed the Tropic's red meridian o'er; | |
Nor long the hours – they never paused o'er time, | |
Unbroken by the clock's funereal chime, | |
Which deals the daily pittance of our span, | 350 |
And points and mocks with iron laugh at man. | |
What deemed they of the future or the past? | |
The present, like a tyrant, held them fast: | |
Their hour-glass was the sea-sand, and the tide, | |
Like her smooth billow, saw their moments glide | |
Their clock the Sun, in his unbounded tower | |
They reckoned not, whose day was but an hour; | |
The nightingale, their only vesper-bell, | |
Sung sweetly to the rose the day's farewell;* | |
The broad Sun set, but not with lingering sweep, | 360 |
As in the North he mellows o'er the deep; | |
But fiery, full, and fierce, as if he left | |
The World for ever, earth of light bereft, | |
|
Plunged with red forehead down along the wave, | |
As dives a hero headlong to his grave. | |
Then rose they, looking first along the skies, | |
And then for light into each other's eyes, | |
Wondering that Summer showed so brief a sun, | |
And asking if indeed the day were done. | |
XVII.
And let not this seem strange: the devotee | 370 |
Lives not in earth, but in his ecstasy; | |
Around him days and worlds are heedless driven, | |
His Soul is gone before his dust to Heaven. | |
Is Love less potent? No – his path is trod, | |
Alike uplifted gloriously to God; | |
Or linked to all we know of Heaven below, | |
The other better self, whose joy or woe | |
Is more than ours; the all-absorbing flame | |
Which, kindled by another, grows the same, | |
Wrapt in one blaze; the pure, yet funeral pile, | 380 |
Where gentle hearts, like Bramins, sit and smile. | |
How often we forget all time, when lone, | |
Admiring Nature's universal throne, | |
Her woods – her wilds – her waters – the intense | |
Reply of hers to our intelligence! | |
|
Live not the Stars and Mountains? Are the Waves | |
Without a spirit? Are the dropping caves | |
Without a feeling in their silent tears? | |
No, no; – they woo and clasp us to their spheres, | |
Dissolve this clog and clod of clay before | 390 |
Its hour, and merge our soul in the great shore. | |
Strip off this fond and false identity! – | |
Who thinks of self when gazing on the sky? | |
And who, though gazing lower, ever thought, | |
In the young moments ere the heart is taught | |
Time's lesson, of Man's baseness or his own? | |
All Nature is his realm, and Love his throne. | |
XVIII.
Neuha arose, and Torquil: Twilight's hour | |
Came sad and softly to their rocky bower, | |
Which, kindling by degrees its dewy spars, | 400 |
Echoed their dim light to the mustering stars. | |
Slowly the pair, partaking Nature's calm, | |
Sought out their cottage, built beneath the palm; | |
Now smiling and now silent, as the scene; | |
Lovely as Love – the Spirit! – when serene. | |
|
The Ocean scarce spoke louder with his swell, | |
Than breathes his mimic murmurer in the shell,* | |
As, far divided from his parent deep, | |
The sea-born infant cries, and will not sleep, | |
Raising his little plaint in vain, to rave | 410 |
For the broad bosom of his nursing wave: | |
The woods drooped darkly, as inclined to rest, | |
The tropic bird wheeled rockward to his nest, | |
And the blue sky spread round them like a lake | |
Of peace, where Piety her thirst might slake. | |
XIX.
But through the palm and plantain, hark, a Voice! | |
Not such as would have been a lover's choice, | |
In such an hour, to break the air so still; | |
No dying night-breeze, harping o'er the hill, | |
|
Striking the strings of nature, rock and tree, | 420 |
Those best and earliest lyres of Harmony, | |
With Echo for their chorus; nor the alarm | |
Of the loud war-whoop to dispel the charm; | |
Nor the soliloquy of the hermit owl, | |
Exhaling all his solitary soul, | |
The dim though large-eyed wingéd anchorite, | |
Who peals his dreary Pæan o'er the night; | |
But a loud, long, and naval whistle, shrill | |
As ever started through a sea-bird's bill; | |
And then a pause, and then a hoarse "Hillo! | 430 |
Torquil, my boy! what cheer? Ho! brother, ho!" | |
"Who hails?" cried Torquil, following with his eye | |
The sound. "Here's one," was all the brief reply. | |
XX.
But here the herald of the self-same mouth | |
Came breathing o'er the aromatic south, | |
Not like a "bed of violets" on the gale, | |
But such as wafts its cloud o'er grog or ale, | |
Borne from a short frail pipe, which yet had blown | |
Its gentle odours over either zone, | |
And, puffed where'er winds rise or waters roll, | 440 |
Had wafted smoke from Portsmouth to the Pole, | |
|
Opposed its vapour as the lightning flashed, | |
And reeked, 'midst mountain-billows, unabashed, | |
To Æolus a constant sacrifice, | |
Through every change of all the varying skies. | |
And what was he who bore it? – I may err, | |
But deem him sailor or philosopher.* | |
Sublime Tobacco! which from East to West | |
Cheers the tar's labour or the Turkman's rest; | |
Which on the Moslem's ottoman divides | 450 |
His hours, and rivals opium and his brides; | |
Magnificent in Stamboul, but less grand, | |
Though not less loved, in Wapping or the Strand; | |
Divine in hookas, glorious in a pipe, | |
When tipped with amber, mellow, rich, and ripe: | |
Like other charmers, wooing the caress, | |
More dazzlingly when daring in full dress; | |
Yet thy true lovers more admire by far | |
Thy naked beauties – Give me a cigar! | |
|
XXI.
Through the approaching darkness of the wood | 460 |
A human figure broke the solitude, | |
Fantastically, it may be, arrayed, | |
A seaman in a savage masquerade; | |
Such as appears to rise out from the deep, | |
When o'er the line the merry vessels sweep, | |
And the rough Saturnalia of the tar | |
Flock o'er the deck, in Neptune's borrowed car;* | |
And, pleased, the God of Ocean sees his name | |
Revive once more, though but in mimic game | |
Of his true sons, who riot in the breeze | 470 |
Undreamt of in his native Cyclades. | |
Still the old God delights, from out the main, | |
To snatch some glimpses of his ancient reign. | |
Our sailor's jacket, though in ragged trim, | |
His constant pipe, which never yet burned dim, | |
His foremast air, and somewhat rolling gait, | |
Like his dear vessel, spoke his former state; | |
|
But then a sort of kerchief round his head, | |
Not over tightly bound, nor nicely spread; | |
And, 'stead of trowsers (ah! too early torn! | 480 |
For even the mildest woods will have their thorn) | |
A curious sort of somewhat scanty mat | |
Now served for inexpressibles and hat; | |
His naked feet and neck, and sunburnt face, | |
Perchance might suit alike with either race. | |
His arms were all his own, our Europe's growth, | |
Which two worlds bless for civilising both; | |
The musket swung behind his shoulders broad, | |
And somewhat stooped by his marine abode, | |
But brawny as the boar's; and hung beneath, | 490 |
His cutlass drooped, unconscious of a sheath, | |
Or lost or worn away; his pistols were | |
Linked to his belt, a matrimonial pair – | |
(Let not this metaphor appear a scoff, | |
Though one missed fire, the other would go off); | |
These, with a bayonet, not so free from rust | |
As when the arm-chest held its brighter trust, | |
Completed his accoutrements, as Night | |
Surveyed him in his garb heteroclite. | |
|
XXII.
"What cheer, Ben Bunting?" cried (when in full view | 500 |
Our new acquaintance) Torquil. "Aught of new?" | |
"Ey, ey!" quoth Ben, "not new, but news enow; | |
A strange sail in the offing." – "Sail! and how? | |
What! could you make her out? It cannot be; | |
I've seen no rag of canvass on the sea." | |
"Belike," said Ben, "you might not from the bay, | |
But from the bluff-head, where I watched to-day, | |
I saw her in the doldrums; for the wind | |
Was light and baffling." – "When the Sun declined | |
Where lay she? had she anchored?" – "No, but still | 510 |
She bore down on us, till the wind grew still." | |
"Her flag?" – "I had no glass: but fore and aft, | |
Egad! she seemed a wicked-looking craft." | |
"Armed?" – "I expect so; – sent on the look-out: | |
'Tis time, belike, to put our helm about." | |
"About? – Whate'er may have us now in chase, | |
We'll make no running fight, for that were base; | |
We will die at our quarters, like true men." | |
"Ey, ey! for that 'tis all the same to Ben." | |
"Does Christian know this?" – "Aye; he has piped all hands | 520 |
To quarters. They are furbishing the stands | |
|
Of arms; and we have got some guns to bear, | |
And scaled them. You are wanted." – "That's but fair; | |
And if it were not, mine is not the soul | |
To leave my comrades helpless on the shoal. | |
My Neuha! ah! and must my fate pursue | |
Not me alone, but one so sweet and true? | |
But whatsoe'er betide, ah, Neuha! now | |
Unman me not: the hour will not allow | |
A tear; I am thine whatever intervenes!" | |
"Right," quoth Ben; "that will do for the marines."* | 531 |
END OF CANTO SECOND
|
CANTO III.
I.
The fight was o'er; the flashing through the gloom, | |
Which robes the cannon as he wings a tomb, | |
Had ceased; and sulphury vapours upward driven | |
Had left the Earth, and but polluted Heaven: | |
The rattling roar which rung in every volley | |
Had left the echoes to their melancholy; | |
No more they shrieked their horror, boom for boom; | |
The strife was done, the vanquished had their doom; | |
The mutineers were crushed, dispersed, or ta'en, | |
Or lived to deem the happiest were the slain. | 10 |
Few, few escaped, and these were hunted o'er | |
The isle they loved beyond their native shore. | |
No further home was theirs, it seemed, on earth, | |
Once renegades to that which gave them birth; | |
Tracked like wild beasts, like them they sought the wild, | |
As to a Mother's bosom flies the child; | |
|
But vainly wolves and lions seek their den, | |
And still more vainly men escape from men. | |
II.
Beneath a rock whose jutting base protrudes | |
Far over Ocean in its fiercest moods, | 20 |
When scaling his enormous crag the wave | |
Is hurled down headlong, like the foremost brave, | |
And falls back on the foaming crowd behind, | |
Which fight beneath the banners of the wind, | |
But now at rest, a little remnant drew | |
Together, bleeding, thirsty, faint, and few; | |
But still their weapons in their hands, and still | |
With something of the pride of former will, | |
As men not all unused to meditate, | |
And strive much more than wonder at their fate. | 30 |
Their present lot was what they had foreseen, | |
And dared as what was likely to have been; | |
Yet still the lingering hope, which deemed their lot | |
Not pardoned, but unsought for or forgot, | |
Or trusted that, if sought, their distant caves | |
Might still be missed amidst the world of waves, | |
Had weaned their thoughts in part from what they saw | |
And felt, the vengeance of their country's law. | |
|
Their sea-green isle, their guilt-won Paradise, | |
No more could shield their Virtue or their Vice: | 40 |
Their better feelings, if such were, were thrown | |
Back on themselves, – their sins remained alone. | |
Proscribed even in their second country, they | |
Were lost; in vain the World before them lay; | |
All outlets seemed secured. Their new allies | |
Had fought and bled in mutual sacrifice; | |
But what availed the club and spear, and arm | |
Of Hercules, against the sulphury charm, | |
The magic of the thunder, which destroyed | |
The warrior ere his strength could be employed? | 50 |
Dug, like a spreading pestilence, the grave | |
No less of human bravery than the brave!* | |
Their own scant numbers acted all the few | |
Against the many oft will dare and do; | |
But though the choice seems native to die free, | |
Even Greece can boast but one Thermopylæ, | |
Till now, when she has forged her broken chain | |
Back to a sword, and dies and lives again! | |
|
III.
Beside the jutting rock the few appeared, | |
Like the last remnant of the red-deer's herd; | 60 |
Their eyes were feverish, and their aspect worn, | |
But still the hunter's blood was on their horn. | |
A little stream came tumbling from the height, | |
And straggling into ocean as it might, | |
Its bounding crystal frolicked in the ray, | |
And gushed from cliff to crag with saltless spray; | |
Close on the wild, wide ocean, yet as pure | |
And fresh as Innocence, and more secure, | |
Its silver torrent glittered o'er the deep, | |
As the shy chamois' eye o'erlooks the steep, | 70 |
While far below the vast and sullen swell | |
Of Ocean's alpine azure rose and fell. | |
To this young spring they rushed, – all feelings first | |
Absorbed in Passion's and in Nature's thirst, -- | |
Drank as they do who drink their last, and threw | |
Their arms aside to revel in its dew; | |
Cooled their scorched throats, and washed the gory stains | |
From wounds whose only bandage might be chains; | |
Then, when their drought was quenched, looked sadly round, | |
As wondering how so many still were found | 80 |
|
Alive and fetterless: – but silent all, | |
Each sought his fellow's eyes, as if to call | |
On him for language which his lips denied, | |
As though their voices with their cause had died. | |
IV.
Stern, and aloof a little from the rest, | |
Stood Christian, with his arms across his chest. | |
The ruddy, reckless, dauntless hue once spread | |
Along his cheek was livid now as lead; | |
His light-brown locks, so graceful in their flow, | |
Now rose like startled vipers o'er his brow. | 90 |
Still as a statue, with his lips comprest | |
To stifle even the breath within his breast, | |
Fast by the rock, all menacing, but mute, | |
He stood; and, save a slight beat of his foot, | |
Which deepened now and then the sandy dint | |
Beneath his heel, his form seemed turned to flint. | |
Some paces further Torquil leaned his head | |
Against a bank, and spoke not, but he bled, -- | |
Not mortally: – his worst wound was within; | |
His brow was pale, his blue eyes sunken in, | 100 |
And blood-drops, sprinkled o'er his yellow hair, | |
Shewed that his faintness came not from despair, | |
|
But Nature's ebb. Beside him was another, | |
Rough as a bear, but willing as a brother, -- | |
Ben Bunting, who essayed to wash, and wipe, | |
And bind his wound – then calmly lit his pipe, | |
A trophy which survived a hundred fights, | |
A beacon which had cheered ten thousand nights. | |
The fourth and last of this deserted group | |
Walked up and down – at times would stand, then stoop | 110 |
To pick a pebble up – then let it drop -- | |
Then hurry as in haste – then quickly stop -- | |
Then cast his eyes on his companions – then | |
Half whistle half a tune, and pause again -- | |
And then his former movements would redouble, | |
With something between carelessness and trouble. | |
This is a long description, but applies | |
To scarce five minutes passed before the eyes; | |
But yet what minutes! Moments like to these | |
Rend men's lives into immortalities. | 120 |
V.
At length Jack Skyscrape, a mercurial man, | |
Who fluttered over all things like a fan, | |
More brave than firm, and more disposed to dare | |
And die at once than wrestle with despair, | |
|
Exclaimed, "G--d damn!" – those syllables intense, -- | |
Nucleus of England's native eloquence, | |
As the Turk's "Allah!" or the Roman's more | |
Pagan "Proh Jupiter!" was wont of yore | |
To give their first impressions such a vent, | |
By way of echo to embarrassment. | 130 |
Jack was embarrassed, – never hero more, | |
And as he knew not what to say, he swore: | |
Nor swore in vain; the long congenial sound | |
Revived Ben Bunting from his pipe profound; | |
He drew it from his mouth, and looked full wise, | |
But merely added to the oath his eyes; | |
Thus rendering the imperfect phrase complete, | |
A peroration I need not repeat. | |
VI.
But Christian, of a higher order, stood | |
Like an extinct volcano in his mood; | 140 |
Silent, and sad, and savage, – with the trace | |
Of passion reeking from his clouded face; | |
Till lifting up again his sombre eye, | |
It glanced on Torquil, who leaned faintly by. | |
"And is it thus?" he cried, "unhappy boy! | |
And thee, too, thee – my madness must destroy!" | |
|
He said, and strode to where young Torquil stood, | |
Yet dabbled with his lately flowing blood; | |
Seized his hand wistfully, but did not press, | |
And shrunk as fearful of his own caress; | 150 |
Enquired into his state: and when he heard | |
The wound was slighter than he deemed or feared, | |
A moment's brightness passed along his brow, | |
As much as such a moment would allow. | |
"Yes," he exclaimed, "we are taken in the toil, | |
But not a coward or a common spoil; | |
Dearly they have bought us – dearly still may buy, -- | |
And I must fall; but have you strength to fly? | |
'Twould be some comfort still, could you survive; | |
Our dwindled band is now too few to strive. | 160 |
Oh! for a sole canoe! though but a shell, | |
To bear you hence to where a hope may dwell! | |
For me, my lot is what I sought; to be, | |
In life or death, the fearless and the free." | |
VII.
Even as he spoke, around the promontory, | |
Which nodded o'er the billows high and hoary, | |
A dark speck dotted Ocean: on it flew | |
Like to the shadow of a roused sea-mew; | |
|
Onward it came – and, lo! a second followed -- | |
Now seen – now hid – where Ocean's vale was hollowed; | 170 |
And near, and nearer, till the dusky crew | |
Presented well-known aspects to the view, | |
Till on the surf their skimming paddles play, | |
Buoyant as wings, and flitting through the spray; -- | |
Now perching on the wave's high curl, and now | |
Dashed downward in the thundering foam below, | |
Which flings it broad and boiling sheet on sheet, | |
And slings its high flakes, shivered into sleet: | |
But floating still through surf and swell, drew nigh | |
The barks, like small birds through a lowering sky. | 180 |
Their art seemed nature – such the skill to sweep | |
The wave of these born playmates of the deep. | |
VIII.
And who the first that, springing on the strand, | |
Leaped like a Nereid from her shell to land, | |
With dark but brilliant skin, and dewy eye | |
Shining with love, and hope, and constancy? | |
Neuha – the fond, the faithful, the adored -- | |
Her heart on Torquil's like a torrent poured; | |
And smiled, and wept, and near, and nearer clasped, | |
As if to be assured 'twas him she grasped; | 190 |
|
Shuddered to see his yet warm wound, and then, | |
To find it trivial, smiled and wept again. | |
She was a warrior's daughter, and could bear | |
Such sights, and feel, and mourn, but not despair. | |
Her lover lived, – nor foes nor fears could blight | |
That full-blown moment in its all delight: | |
Joy trickled in her tears, joy filled the sob | |
That rocked her heart till almost heard to throb; | |
And Paradise was breathing in the sigh | |
Of Nature's child in Nature's ecstasy. | 200 |
IX.
The sterner spirits who beheld that meeting | |
Were not unmoved; who are, when hearts are greeting? | |
Even Christian gazed upon the maid and boy | |
With tearless eye, but yet a gloomy joy | |
Mixed with those bitter thoughts the soul arrays | |
In hopeless visions of our better days, | |
When all's gone – to the rainbow's latest ray. | |
"And but for me!" he said, and turned away; | |
Then gazed upon the pair, as in his den | |
A lion looks upon his cubs again; | 210 |
And then relapsed into his sullen guise, | |
As heedless of his further destinies. | |
|
X.
But brief their time for good or evil thought; | |
The billows round the promontory brought | |
The plash of hostile oars. – Alas! who made | |
That sound a dread? All around them seemed arrayed | |
Against them, save the bride of Toobonai: | |
She, as she caught the first glimpse o'er the bay | |
Of the armed boats, which hurried to complete | |
The remnant's ruin with their flying feet, | 220 |
Beckoned the natives round her to their prows, | |
Embarked their guests and launched their light canoes; | |
In one placed Christian and his comrades twain -- | |
But she and Torquil must not part again. | |
She fixed him in her own. – Away! away! | |
They cleared the breakers, dart along the bay, | |
And towards a group of islets, such as bear | |
The sea-bird's nest and seal's surf-hollowed lair, | |
They skim the blue tops of the billows; fast | |
They flew, and fast their fierce pursuers chased. | 230 |
They gain upon them – now they lose again, -- | |
Again make way and menace o'er the main; | |
And now the two canoes in chase divide, | |
And follow different courses o'er the tide, | |
|
To baffle the pursuit. – Away! away! | |
As Life is on each paddle's flight to-day, | |
And more than Life or lives to Neuha: Love | |
Freights the frail bark and urges to the cove; | |
And now the refuge and the foe are nigh -- | |
Yet, yet a moment! Fly, thou light ark, fly! | 240 |
END OF CANTO THIRD
|
CANTO IV.
I.
White as a white sail on a dusky sea, | |
When half the horizon's clouded and half free, | |
Fluttering between the dun wave and the sky, | |
Is Hope's last gleam in Man's extremity. | |
Her anchor parts; but still her snowy sail | |
Attracts our eye amidst the rudest gale: | |
Though every wave she climbs divides us more, | |
The heart still follows from the loneliest shore. | |
II.
Not distant from the isle of Toobonai, | |
A black rock rears its bosom o'er the spray, | 10 | 10
The haunt of birds, a desert to mankind, | |
Where the rough seal reposes from the wind, | |
And sleeps unwieldy in his cavern dun, | |
Or gambols with huge frolic in the sun: | |
|
There shrilly to the passing oar is heard | |
The startled echo of the Ocean bird, | |
Who rears on its bare breast her callow brood, | |
The feathered fishers of the solitude. | |
A narrow segment of the yellow sand | |
On one side forms the outline of a strand; | 20 |
Here the young turtle, crawling from his shell, | |
Steals to the deep wherein his parents dwell; | |
Chipped by the beam, a nursling of the day, | |
But hatched for ocean by the fostering ray; | |
The rest was one bleak precipice, as e'er | |
Gave mariners a shelter and despair; | |
A spot to make the saved regret the deck | |
Which late went down, and envy the lost wreck. | |
Such was the stern asylum Neuha chose | |
To shield her lover from his following foes; | 30 |
But all its secret was not told; she knew | |
In this a treasure hidden from the view. | |
III.
Ere the canoes divided, near the spot, | |
The men that manned what held her Torquil's lot, | |
By her command removed, to strengthen more | |
The skiff which wafted Christian from the shore. | |
|
This he would have opposed; but with a smile | |
She pointed calmly to the craggy isle, | |
And bade him "speed and prosper." She would take | |
The rest upon herself for Torquil's sake. | 40 |
They parted with this added aid; afar, | |
The Proa darted like a shooting star, | |
And gained on the pursuers, who now steered | |
Right on the rock which she and Torquil neared. | |
They pulled; her arm, though delicate, was free | |
And firm as ever grappled with the sea, | |
And yielded scarce to Torquil's manlier strength. | |
The prow now almost lay within its length | |
Of the crag's steep inexorable face, | |
With nought but soundless waters for its base; | 50 |
Within a hundred boats' length was the foe, | |
And now what refuge but their frail canoe? | |
This Torquil asked with half upbraiding eye, | |
Which said – "Has Neuha brought me here to die? | |
Is this a place of safety, or a grave, | |
And yon huge rock the tombstone of the wave?" | |
IV.
They rested on their paddles, and uprose | |
Neuha, and pointing to the approaching foes, | |
|
Cried, "Torquil, follow me, and fearless follow!" | |
Then plunged at once into the Ocean's hollow. | 60 |
There was no time to pause – the foes were near -- | |
Chains in his eye, and menace in his ear; | |
With vigour they pulled on, and as they came, | |
Hailed him to yield, and by his forfeit name. | |
Headlong he leapt – to him the swimmer's skill | |
Was native, and now all his hope from ill: | |
But how, or where? He dived, and rose no more; | |
The boat's crew looked amazed o'er sea and shore. | |
There was no landing on that precipice, | |
Steep, harsh, and slippery as a berg of ice. | 70 |
They watched awhile to see him float again, | |
But not a trace rebubbled from the main: | |
The wave rolled on, no ripple on its face, | |
Since their first plunge recalled a single trace; | |
The little whirl which eddied, and slight foam, | |
That whitened o'er what seemed their latest home, | |
White as a sepulchre above the pair | |
Who left no marble (mournful as an heir) | |
The quiet Proa wavering o'er the tide | |
Was all that told of Torquil and his bride; | 80 |
And but for this alone the whole might seem | |
The vanished phantom of a seaman's dream. | |
|
They paused and searched in vain, then pulled away; | |
Even Superstition now forbade their stay. | |
Some said he had not plunged into the wave, | |
But vanished like a corpse-light from a grave; | |
Others, that something supernatural | |
Glared in his figure, more than mortal tall; | |
While all agreed that in his cheek and eye | |
There was a dead hue of Eternity. | 90 |
Still as their oars receded from the crag, | |
Round every weed a moment would they lag, | |
Expectant of some token of their prey; | |
But no – he had melted from them like the spray. | |
V.
And where was he the Pilgrim of the Deep, | |
Following the Nereid? Had they ceased to weep | |
For ever? or, received in coral caves, | |
Wrung life and pity from the softening waves? | |
Did they with Ocean's hidden sovereigns dwell, | |
And sound with Mermen the fantastic shell? | 100 |
Did Neuha with the mermaids comb her hair | |
Flowing o'er ocean as it streamed in air? | |
Or had they perished, and in silence slept | |
Beneath the gulf wherein they boldly leapt? | |
|
VI.
Young Neuha plunged into the deep, and he | |
Followed: her track beneath her native sea | |
Was as a native's of the element, | |
So smoothly – bravely – brilliantly she went, | |
Leaving a streak of light behind her heel, | |
Which struck and flashed like an amphibious steel, | 110 |
Closely, and scarcely less expert to trace | |
The depths where divers hold the pearl in chase, | |
Torquil, the nursling of the northern seas, | |
Pursued her liquid steps with heart and ease. | |
Deep – deeper for an instant Neuha led | |
The way – then upward soared – and as she spread | |
Her arms, and flung the foam from off her locks, | |
Laughed, and the sound was answered by the rocks. | |
They had gained a central realm of earth again, | |
But looked for tree, and field, and sky, in vain. | 120 |
Around she pointed to a spacious cave, | |
Whose only portal was the keyless wave,* | |
|
(A hollow archway by the sun unseen, | |
Save through the billows' glassy veil of green, | |
In some transparent ocean holiday, | |
When all the finny people are at play,) | |
Wiped with her hair the brine from Torquil's eyes, | |
And clapped her hands with joy at his surprise; | |
Led him to where the rock appeared to jut, | |
And form a something like a Triton's hut; | 130 |
For all was darkness for a space, till day, | |
Through clefts above let in a sobered ray; | |
As in some old cathedral's glimmering aisle | |
The dusty monuments from light recoil, | |
Thus sadly in their refuge submarine | |
The vault drew half her shadow from the scene. | |
VII.
Forth from her bosom the young savage drew | |
A pine torch, strongly girded with gnatoo; | |
A plantain-leaf o'er all, the more to keep | |
Its latent sparkle from the sapping deep. | 140 |
This mantle kept it dry; then from a nook | |
Of the same plantain-leaf a flint she took, | |
A few shrunk withered twigs, and from the blade | |
Of Torquil's knife struck fire, and thus arrayed | |
|
The grot with torchlight. Wide it was and high, | |
And showed a self-born Gothic canopy; | |
The arch upreared by Nature's architect, | |
The architrave some Earthquake might erect; | |
The buttress from some mountain's bosom hurled, | |
When the Poles crashed, and water was the world; | 150 |
Or hardened from some earth-absorbing fire, | |
While yet the globe reeked from its funeral pyre; | |
The fretted pinnacle, the aisle, the nave,* | |
Were there, all scooped by Darkness from her cave. | |
There, with a little tinge of phantasy, | |
Fantastic faces moped and mowed on high, | |
And then a mitre or a shrine would fix | |
The eye upon its seeming crucifix. | |
Thus Nature played with the stalactites, | |
And built herself a Chapel of the Seas. | 160 |
|
VIII.
And Neuha took her Torquil by the hand, | |
And waved along the vault her kindled brand, | |
And led him into each recess, and showed | |
The secret places of their new abode. | |
Nor these alone, for all had been prepared | |
Before, to soothe the lover's lot she shared: | |
The mat for rest; for dress the fresh gnatoo, | |
And sandal oil to fence against the dew; | |
For food the cocoa-nut, the yam, the bread | |
Born of the fruit; for board the plantain spread | 170 |
With its broad leaf, or turtle-shell which bore | |
A banquet in the flesh it covered o'er; | |
The gourd with water recent from the rill, | |
The ripe banana from the mellow hill; | |
A pine-torch pile to keep undying light, | |
And she herself, as beautiful as night, | |
To fling her shadowy spirit o'er the scene, | |
And make their subterranean world serene. | |
She had foreseen, since first the stranger's sail | |
Drew to their isle, that force or flight might fail, | 180 |
And formed a refuge of the rocky den | |
For Torquil's safety from his countrymen. | |
|
Each dawn had wafted there her light canoe, | |
Laden with all the golden fruits that grew; | |
Each eve had seen her gliding through the hour | |
With all could cheer or deck their sparry bower; | |
And now she spread her little store with smiles, | |
The happiest daughter of the loving isles. | |
IX.
She, as he gazed with grateful wonder, pressed | |
Her sheltered love to her impassioned breast; | 190 |
And suited to her soft caresses, told | |
An olden tale of Love, – for Love is old, | |
Old as eternity, but not outworn | |
With each new being born or to be born:* | |
How a young Chief, a thousand moons ago, | |
Diving for turtle in the depths below, | |
Had risen, in tracking fast his ocean prey, | |
Into the cave which round and o'er them lay; | |
How, in some desperate feud of after-time, | |
He sheltered there a daughter of the clime, | 200 |
|
A foe beloved, and offspring of a foe, | |
Saved by his tribe but for a captive's woe; | |
How, when the storm of war was stilled, he led | |
His island clan to where the waters spread | |
Their deep-green shadow o'er the rocky door, | |
Then dived – it seemed as if to rise no more: | |
His wondering mates, amazed within their bark, | |
Or deemed him mad, or prey to the blue shark; | |
Rowed round in sorrow the sea-girded rock, | |
Then paused upon their paddles from the shock; | 210 |
When, fresh and springing from the deep, they saw | |
A Goddess rise – so deemed they in their awe; | |
And their companion, glorious by her side, | |
Proud and exulting in his Mermaid bride; | |
And how, when undeceived, the pair they bore | |
With sounding conchs and joyous shouts to shore; | |
How they had gladly lived and calmly died, -- | |
And why not also Torquil and his bride? | |
Not mine to tell the rapturous caress | |
Which followed wildly in that wild recess | 220 |
This tale; enough that all within that cave | |
Was love, though buried strong as in the grave, | |
Where Abelard, through twenty years of death, | |
When Eloisa's form was lowered beneath | |
|
Their nuptial vault, his arms outstretched, and pressed | |
The kindling ashes to his kindled breast.* | |
The waves without sang round their couch, their roar | |
As much unheeded as if life were o'er; | |
Within, their hearts made all their harmony, | |
Love's broken murmur and more broken sigh. | 230 |
X.
And they, the cause and sharers of the shock | |
Which left them exiles of the hollow rock, | |
Where were they? O'er the sea for life they plied, | |
To seek from Heaven the shelter men denied. | |
Another course had been their choice – but where? | |
The wave which bore them still their foes would bear, | |
Who, disappointed of their former chase, | |
In search of Christian now renewed their race. | |
Eager with anger, their strong arms made way, | |
Like vultures baffled of their previous prey. | 240 |
They gained upon them, all whose safety lay | |
In some bleak crag or deeply-hidden bay: | |
|
No further chance or choice remained; and right | |
For the first further rock which met their sight | |
They steered, to take their latest view of land, | |
And yield as victims, or die sword in hand; | |
Dismissed the natives and their shallop, who | |
Would still have battled for that scanty crew; | |
But Christian bade them seek their shore again, | |
Nor add a sacrifice which were in vain; | 250 |
For what were simple bow and savage spear | |
Against the arms which must be wielded here? | |
XI.
They landed on a wild but narrow scene, | |
Where few but Nature's footsteps yet had been; | |
Prepared their arms, and with that gloomy eye, | |
Stern and sustained, of man's extremity, | |
When Hope is gone, nor Glory's self remains | |
To cheer resistance against death or chains. -- | |
They stood, the three, as the three hundred stood | |
Who dyed Thermopylæ with holy blood. | 260 |
But, ah! how different! 'tis the cause makes all, | |
Degrades or hallows courage in its fall. | |
O'er them no fame, eternal and intense, | |
Blazed through the clouds of Death and beckoned hence; | |
|
No grateful country, smiling through her tears, | |
Begun the praises of a thousand years; | |
No nation's eyes would on their tomb be bent, | |
No heroes envy them their monument; | |
However boldly their warm blood was spilt, | |
Their Life was shame, their Epitaph was guilt. | 270 |
And this they knew and felt, at least the one, | |
The leader of the band he had undone; | |
Who, born perchance for better things, had set | |
His life upon a cast which lingered yet: | |
But now the die was to be thrown, and all | |
The chances were in favour of his fall: | |
And such a fall! But still he faced the shock, | |
Obdurate as a portion of the rock | |
Whereon he stood, and fixed his levelled gun, | |
Dark as a sullen cloud before the sun. | 280 |
XII.
The boat drew nigh, well armed, and firm the crew | |
To act whatever Duty bade them do; | |
Careless of danger, as the onward wind | |
Is of the leaves it strews, nor looks behind. | |
And, yet, perhaps, they rather wished to go | |
Against a nation's than a native foe, | |
|
And felt that this poor victim of self-will, | |
Briton no more, had once been Britain's still. | |
They hailed him to surrender – no reply; | |
Their arms were poised, and glittered in the sky. | 290 |
They hailed again – no answer; yet once more | |
They offered quarter louder than before. | |
The echoes only, from the rock's rebound, | |
Took their last farewell of the dying sound. | |
Then flashed the flint, and blazed the volleying flame, | |
And the smoke rose between them and their aim, | |
While the rock rattled with the bullets' knell, | |
Which pealed in vain, and flattened as they fell; | |
Then flew the only answer to be given | |
By those who had lost all hope in earth or heaven. | 300 |
After the first fierce peal as they pulled nigher, | |
They heard the voice of Christian shout, "Now, fire!" | |
And ere the word upon the echo died, | |
Two fell; the rest assailed the rock's rough side, | |
And, furious at the madness of their foes, | |
Disdained all further efforts, save to close. | |
But steep the crag, and all without a path, | |
Each step opposed a bastion to their wrath, | |
While, placed 'midst clefts the least accessible, | |
Which Christian's eye was trained to mark full well, | 310 |
The three maintained a strife which must not yield, | |
In spots where eagles might have chosen to build. | |
|
Their every shot told; while the assailant fell, | |
Dashed on the shingles like the limpet shell; | |
But still enough survived, and mounted still, | |
Scattering their numbers here and there, until | |
Surrounded and commanded, though not nigh | |
Enough for seizure, near enough to die, | |
The desperate trio held aloof their fate | |
But by a thread, like sharks who have gorged the bait; | 320 |
Yet to the very last they battled well, | |
And not a groan informed their foes who fell. | |
Christian died last – twice wounded; and once more | |
Mercy was offered when they saw his gore; | |
Too late for life, but not too late to die, | |
With, though a hostile hand, to close his eye. | |
A limb was broken, and he drooped along | |
The crag, as doth a falcon reft of young. | |
The sound revived him, or appeared to wake | |
Some passion which a weakly gesture spake: | 330 |
He beckoned to the foremost, who drew nigh, | |
But, as they neared, he reared his weapon high -- | |
His last ball had been aimed, but from his breast | |
He tore the topmost button from his vest,* | |
|
Down the tube dashed it – levelled – fired, and smiled | |
As his foe fell; then, like a serpent, coiled | |
His wounded, weary form, to where the steep | |
Looked desperate as himself along the deep; | |
Cast one glance back, and clenched his hand, and shook | |
His last rage 'gainst the earth which he forsook; | 340 |
Then plunged: the rock below received like glass | |
His body crushed into one gory mass, | |
With scarce a shred to tell of human form, | |
Or fragment for the sea-bird or the worm; | |
A fair-haired scalp, besmeared with blood and weeds, | |
Yet reeked, the remnant of himself and deeds; | |
Some splinters of his weapons (to the last, | |
As long as hand could hold, he held them fast) | |
Yet glittered, but at distance – hurled away | |
To rust beneath the dew and dashing spray. | 350 |
|
The rest was nothing – save a life mis-spent, | |
And soul – but who shall answer where it went? | |
'Tis ours to bear, not judge the dead; and they | |
Who doom to Hell, themselves are on the way, | |
Unless these bullies of eternal pains | |
Are pardoned their bad hearts for their worse brains. | |
XVI.
The deed was over! All were gone or ta'en, | |
The fugitive, the captive, or the slain. | |
Chained on the deck, where once, a gallant crew, | |
They stood with honour, were the wretched few | 360 |
Survivors of the skirmish on the isle; | |
But the last rock left no surviving spoil. | |
Cold lay they where they fell, and weltering, | |
While o'er them flapped the sea-birds' dewy wing, | |
Now wheeling nearer from the neighbouring surge, | |
And screaming high their harsh and hungry dirge: | |
But calm and careless heaved the wave below, | |
Eternal with unsympathetic flow; | |
Far o'er its face the Dolphins sported on, | |
And sprung the flying fish against the sun, | 370 |
Till its dried wing relapsed from its brief height, | |
To gather moisture for another flight. | |
|
XVII.
'Twas morn; and Neuha, who by dawn of day | |
Swam smoothly forth to catch the rising ray, | |
And watch if aught approached the amphibious lair | |
Where lay her lover, saw a sail in air: | |
It flapped, it filled, and to the growing gale | |
Bent its broad arch: her breath began to fail | |
With fluttering fear, her heart beat thick and high, | |
While yet a doubt sprung where its course might lie. | 380 |
But no! it came not; fast and far away | |
The shadow lessened as it cleared the bay. | |
She gazed, and flung the sea-foam from her eyes, | |
To watch as for a rainbow in the skies. | |
On the horizon verged the distant deck, | |
Diminished, dwindled to a very speck -- | |
Then vanished. All was Ocean, all was Joy! | |
Down plunged she through the cave to rouse her boy; | |
Told all she had seen, and all she hoped, and all | |
That happy love could augur or recall; | 390 |
Sprung forth again, with Torquil following free | |
His bounding Nereid over the broad sea; | |
Swam round the rock, to where a shallow cleft | |
Hid the canoe that Neuha there had left | |
|
Drifting along the tide, without an oar, | |
That eve the strangers chased them from the shore; | |
But when these vanished, she pursued her prow, | |
Regained, and urged to where they found it now: | |
Nor ever did more love and joy embark, | |
Than now were wafted in that slender ark. | 400 |
XVIII.
Again their own shore rises on the view, | |
No more polluted with a hostile hue; | |
No sullen ship lay bristling o'er the foam, | |
A floating dungeon: – all was Hope and Home! | |
A thousand Proas darted o'er the bay, | |
With sounding shells, and heralded their way; | |
The chiefs came down, around the people poured, | |
And welcomed Torquil as a son restored; | |
The women thronged, embracing and embraced | |
By Neuha, asking where they had been chased, | 410 |
And how escaped? The tale was told; and then | |
One acclamation rent the sky again; | |
And from that hour a new tradition gave | |
Their sanctuary the name of "Neuha's Cave." | |
A hundred fires, far flickering from the height, | |
Blazed o'er the general revel of the night, | |
|
The feast in honour of the guest, returned | |
To Peace and Pleasure, perilously earned; | |
A night succeeded by such happy days | |
As only the yet infant world displays. | 420 |
THE END OF THE POEM.
|
APPENDIX.
EXTRACT FROM THE VOYAGE BY CAPTAIN BLIGH.
On the 27th December it blew a severe storm of wind from the eastward, in the course of which we suffered greatly. One sea broke away the spare yards and spars out of the starboard mainchains; another broke into the ship and stove all the boats. Several casks of beer that had been lashed on deck broke loose, and were washed overboard; and it was not without great risk and difficulty that we were able to secure the boats from being washed away entirely. A great quantity of our bread was also damaged, and rendered useless, for the sea had stove in our stern, and filled the cabin with water.
On the 5th of January, 1788 we saw the island of Teneriffe about twelve leagues distant, and next day, being Sunday, came to an anchor in the road of Santa Cruz. There we took in the necessary supplies, and, having finished our business, sailed on the 10th.
I now divided the people into three watches, and gave the charge of the third watch to Mr Fletcher Christian, one of the mates. I have always considered this a desirable regulation when circumstances will admit of it, and I am persuaded, that unbroken rest not only contributes much towards the health of a ship's company, but enables them more readily to exert themselves in cases of sudden emergency.
As I wished to proceed to Otaheite without stopping, I reduced the allowance of bread to two-thirds, and, caused the water for
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drinking be filtered through drip-stones, bought at Teneriffe for that purpose, I now acquainted the ship's company of the object of the voyage, and gave assurances of certain promotion to every one whose endeavours should merit it.
On Tuesday the 26th of February, being in South latitude 29° 38', and 44° 44' West longitude, we bent new sails, and made other necessary preparations for encountering the weather that was to be expected in a high latitude. Our distance from the coast of Brasil was about 100 leagues.
On the forenoon of Sunday the 2d of March, after seeing that every person was clean, divine service was performed, according to my usual custom on this day. I gave to Mr Fletcher Christian, whom I had before directed to take charge of the third watch, a written order to act as lieutenant.
The change of temperature soon began to be sensibly felt, and, that the people might not suffer from their own negligence, I supplied them with thicker clothing, as better suited to the climate. A great number of whales of an immense size, with two spout holes on the back of the head, were seen on the 11th.
On a complaint made to me by the master, I found it necessary to punish Matthew Quintal, one of the seamen, with two dozen of lashes, for insolence and mutinous behaviour, which was the first time that there was any occasion for punishment on board.
We were off Cape St Diego, the eastern part of the Terra de Fuego, and the wind being unfavourable, I thought it more advisable to go round to the eastward of Staten-land, than to attempt passing through Straits le Maire. We passed New Year's Harbour and Cape St John, and, on Monday the 31st, were in latitude 60° 1' south. But the wind became variable, and we had bad weather.
Storms, attended with a great sea, prevailed until the 12th of April. The ship began to leak, and required pumping every hour, which was no more than we had reason to expect from such a
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continuance of gales of wind and high seas. The decks also became so leaky, that it was necessary to allot the great cabin, of which I made little use except in fine weather, to those people who had not births to hang their hammocks in, and, by this means, the space between decks was less crowded.
With all this bad weather, we had the additional mortification to find, at the end of every day, that we were losing ground; for, notwithstanding our utmost exertions, and keeping on the most advantageous tacks, we did little better than drift before the wind. On Tuesday the 22nd of April, we had eight down on the sick list, and the rest of the people, though in good health, were greatly fatigued; but I saw, with much concern, that it was impossible to make a passage this way to the Society Islands, for we had now been thirty days in a tempestuous ocean. Thus the season was too far advanced for us to expect better weather to enable us to double Cape Horn; and, from these and other considerations, I ordered the helm to be put a-weather, and bore away for the Cape of Good Hope, to the great joy of every one on board.
We came to an anchor on Friday the 23d May, in Simon's Bay at the Cape, after a tolerable run. The ship required complete caulking, for she had become so leaky, that we were obliged to pump hourly in our passage from Cape Horn. The sails and rigging also required repair, and, on examining the provisions, a considerable quantity was found damaged.
Having remained thirty-eight days at this place, and my people having received all the advantage that could be derived from the refreshments of every kind that could be met with, we sailed on the 1st of July.
A gale of wind blew on the 20th, with a high sea; it increased after noon with such violence, that the ship was driven almost forecastle under before we could get the sails clewed up. The lower-yards were lowered, and the top-gallant-mast got down upon deck, which relieved her much. We lay to all night, and
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in the morning bore away under a reefed-foresail. The sea still running high, in the afternoon it became very unsafe to stand on; we therefore lay to all, night, without any accident, excepting that a man at the steerage was thrown over the wheel and much bruised. Towards noon the violence of the storm abated, and we again bore away under the reefed foresail.
In a few deys we passed the Island of St Paul, where there is good fresh water, as I was informed by a Dutch captain, and also a hot spring, which boils fish as completely as if done by a fire. Approaching to Van Diemen's land, we had much bad weather, with snow and hail, but nothing was seen to indicate our vicinity on the 13th of August, except a seal, which appeared at the distance of twenty leagues from it. We anchored in Adventure Bay on Wednesday the 20th.
In our passage hither from the Cape of Good Hope, the winds were chiefly from the westward, with very boisterous weather. The approach of strong southerly winds is announced by many birds of the albatross or peterel tribe, and the abatement of the gale, or a shift of wind to the northward, by their keeping away. The thermometer also varies five or six degrees in its height, when a change of these winds may be expected.
In the land surrounding Adventure Bay are many forest trees one hundred and fifty feet high; we saw one which measured above thirty-three feet in girth. We observed several eagles, some beautiful blue-plumaged herons, and perroquets in great variety.
The natives not appearing, we went in search of them towards Cape Frederic Henry. Soon after, coming to a grapnel close to the shore, for it was impossible to land, we heard their voices, like the cackling of geese, and twenty persons came out of the woods. We threw trinkets ashore tied up in parcels, which they would not open out until I made an appearance of leaving them; they then did so, and, taking the articles out, put them on their
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heads. On first coming in sight they made a prodigions clattering in their speech, and held their arms over their heads. They spoke so quick that it was impossible to catch one single word they uttered. Their colour is of a dull black; their skin searified about the breast and shoulders. One was distinguished by his body being coloured with red ochre, but ail the others were painted black, with a kind of soot, so thick laid over their faces and shoulders, that it was difficult to ascertain what they were like.
On Thursday, the 4th of September, we sailed out of Adventure Bay, steering first towards the east-south-east, and then to the northward of east, when, on the 19th, we came in sight of a cluster of small rocky islands, which I named Bounty Isles. Soon afterwards we frequently observed the sea, in the night-time, to be covered by luminous spots, caused by amazing quantities of small blubbers, or medusae, which emit a light, like the blaze of a candie, from the strings or filaments extending from them, while the rest of the body continues perfectly dark.
We discovered the island of Otaheite on the 25th, and, before casting anchor next morning in Matavai Bay, such numbers of canoes had come off; that, after the natives ascertained we were friends, they came on board, and crowded the deck so much, that in ten minutes I could scarce find my own people. The whole distance which the ship had run, in direct and contrary courses, from the time of leaving England untill reaching Otaheite, was twenty-seven thousand and eighty-six miles, which, on an average, was one hundred and eight miles each twenty-four hours.
Here we lost our surgeon on the 9th of December. Of late he had scarcely ever stirred out of the cabin, though not apprehended to be in a dangerous state. Nevertheless, appearing worse than usual in the evening, he was removed where he could obtain more air, but without any benefit, for he died in an hour afterwards. This unfortunate man drank very hard, and was so averse to exercise, that he would never be prevailed on to take half a dozen
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turns on deck at a time during all the course of the voyage. He was buried on shore.
On Monday the 5th of January, the small cutter was missed, of which I was immediately apprised. The ships company being mustered, we found three men absent, who had carried it off. They had taken with them eight stand of arms and ammunition, but with regard to their plan, every one on board seemed to be quite ignorant. I therefore went on shore, and engaged all the chiefs to assist in recovering both the boat and the deserters. Accordingly, the former was brought back in the course of the day, by five of the natives; but the men were not taken until nearly three weeks afterwards. Learning the place where they were, in a different quarter of the island of Otaheite, I went thither in the cutter, thinking there would be no great difficulty in securing them with the assistance of the natives. However, they heard of my arrivai, and when I was near a house in which they were, they came out wanting their fire-arms, and delivered themselves up. Some of the chiefs had formerly seized, and bound these deserters; but had been prevailed on, by fair promises of returning peaceably to the ship, to release them. But finding an opportunity again to get possession of their arms, they set the natives at defiance.
The object of the voyage being now completed, all the bread-fruit plants, to the number of one thousand and fifteen, were got on board, on Tuesday the thirty-first of March. Besides these, we had collected many other plants, some of them bearing the finest fruit in the world; and valuable from affording brilliant dyes, and for various properties besides. At sunset of the fourth of April, we made sail from Otaheite, bidding farewell to an island, where for twenty-three weeks we had been treated with the utmost affection and regard, and which seemed to increase in proportion to our stay. That we were not insensible of their kindness, the succeeding circumstances sufficiently proved; for to the friendly and endearing
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behaviour of these people, may be ascribed the motives inciting an event that effected the ruin of our expedition, which there was every reason to believe would have been attended with the most favourable issue.
Next morning we got sight of the island Huaheine; and a double canoe soon coming alongside, containing ten natives, I saw among them a young man who recollected me, and called me by my name. I had been here in the year 1780, with Captain Cook, in the Resolution. A few days after sailing from this island, the weather became squally, and a thick body of black clouds collected in the east. A water-spout was in a short time seen at no great distance from us, which appeared to great advantage from the darkness of the clouds behind it. As nearly as I could judge, the upper part was about two feet in diameter, and the lower about eight inches. Scarcely had I made these re- marks, when I observed that it was rapidly advancing towards the ship. We immediately altered our course, and took in all the sails, except the foresail; soon after which it passed within ten yards of the stern, with a rustling noise, but without our feeling the least effect from it being so near. It seemed to be travelling at the rate of about ten miles an hour, in the direction of the wind; and it dispersed in a quarter of an hour after passing us. It is impossible to say what injury we should have received, had it passed directly over us. Masts, I imagine, might have been carried away, but I do not apprehend that it would have endangered the loss of the ship.
Passing several islands on the way, we anchored at Annamooka, on the 23d of April; and an old lame man called Tepa, whom I had known here in 1777, and immediately recollected, came on board, along with others, from different islands in the vicinity. They were desirous to see the ship, and on being taken below, where the breadfruit plants were arranged, they testified great surprise. A few of these being decayed, we went on shore to procure some in their place.
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The natives exhibited numerous marks of the peculiar mourning which they express on losing their relatives; such as bloody temples, their heads being deprived of most of the hair, and what was worse, almost the whôle of them had lost some of their fingers. Several fine boys, not above six years old, had lost both their little-fingers; and several of the men, besides these, had parted with the middle finger of the right hand.
The chiefs went off with me to dinner, and we carried on a brisk trade for yams; we also got plantains and bread-fruit. But the yams were in great abundance, and very fine and large. One of them weighed above forty-five pounds. Sailing canoes came, some of which contained not less than ninety passengers. Such a number of them gradually arrived from different islands, that it was impossible to get any thing done, the multitude became so great, and there was no chief of sufficient authority to command the whole. I therefore ordered a watering party, then employed, to come on board, and sailed on Sunday the 26th of April.
We kept near the island of Kotoo all the afternoon of Monday, in hopes that some canoes would come off to the ship, but in this we were, disappointed. The wind being northerly, we steered to the westward in the evening, to pass south of Tofoa; and I gave directions for this course to be continued during the night. The master had the first watch, the gunner the middle-watch, and Mr Christian the morning-watch. This was the turn of duty for the night.
Hitherto the voyage had advanced in a course of uninterrupted prosperity; and had been attended with circumstances equally pleasing and satisfactory. But a very different scene was now to be disclosed; a conspiracy had been formed, which was to render all our past labour productive only of misery and distress; and it had been concerted with so much secrecy and circumspection, that no one circumstance escaped to betray the impending calamity.
On the night of Monday, the watch was set as I have de-
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scribed. Just before sunrise, on Tuesday morning, while I was yet asleep, Mr Christian, with the master at arms, gunner's mate, and Thomas Burkitt, seaman, came into my cabin, and seizing me, tied my hands with a cord behind my back; threatening me with instant death if I spoke or made the least noise. I nevertheless called out as loud as I could, in hopes of assistance; but the officers, not of their party, were already secured by sentinels at their doors. At my own cabin door were three men, besides the four within; all except Christian had muskets and bayonets; he had only a cutlass. I was dragged out of bed, and forced on deck in my shirt, suffering great pain in the meantime from the tightness with which my hands were tied. On demanding the reason of such violence, the only answer was abuse for not holding my tongue. The master, the gunner, surgeon, master's mate, and Nelson, the gardener, were kept confined below, and the fore hatch-way was guarded by sentinels. The boatswain and carpenter, and also the clerk, were allowed to come on deck, where they saw me standing abaft the mizen-mast, with my hands tied behind my back, under a guard, with Christian at their head. The boatswain was then ordered to hoist out the launch, accompanied by a threat, if he did not do it instantly, TO TAKE CARE OF HIMSELF.
The boat being hoisted out, Mr Hayward and Mr Hallet, two of the midshipmen, and Mr Samuel, the clerk, were ordered into it. I demanded the intention of giving this order, and endeavoured to persuade the people near me not to persist in such acts of violence, but it was to no effect; for the constant answer was, "Hold your tongue, Sir, or you are dead this moment."
The master had by this time sent, requesting that he might come on deck, which was permitted; but he was soon ordered back again to his cabin. My exertions to turn the tide of affairs were continued; when Christian, changing the cutlass he held for a bayonet, and holding me by the cord about my hands with a strong gripe, threatened me with immediate death, if I would not
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be quiet; and the villains around me had their pieces cocked, and bayonets fixed.
Certain individuals were called on to get into the boat, and were hurried over the ship's side; whence I concluded, that along with them I was to be set adrift. Another effort to bring about à change produced nothing but menaces of having my brains blown out.
The boatswain and those seamen who were to be put into the boat, were allowed to collect twine, canvas, lines, sails, cordage, an eight-and-twenty gallon cask of water; and Mr Samuel got 150 pounds of bread, with a small quantity of rum and wine; also a quadrant and compass; but he was prohibited, on pain of death, to touch any map or astronomical book, and any instrument, or any of my surveys and drawings.
The mutineers having thus forced those of the seamen, whom they wished to get rid of into the boat, Christian directed a dram to be served to each of his own crew. I then unhappily saw that nothing could be done to recover the ship. The officers were next called on deck, and forced over the ship's side into the boat, while I was kept spart from every one abaft the mizen-mast. Christian, armed with a bayonet, held the cord fastening my hands, and the guard around me stood with their pieces cocked; but on my daring the ungrateful wretches to fire, they uncocked them. Isaac Martin, one of them, I saw had an inclination to assist me; and as he fed me with shaddock, my lips being quite parched, we explained each other's sentiments by looks. But this was observed, and he was removed. He then got into the boat, attempting to leave the ship; however, he was compelled to return. Some others were also kept contrary to their inclination.
It appeared to me, that Christian was some time in doubt whether he should keep the carpenter or his mates. At length he determined on the latter, and the carpenter was ordered into the
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boat. He was permitted, though not without opposition, to take his tool chest.
Mr Samuel secured my journals and commission, with some important ship papers; this he did with great resolution, though strictly watched. He attempted to save the time-keeper, and a box with my surveys, drawings, and remarks for fifteen years past, which were very numerous, when he was hurried away with – "Damn your eyes, you are well off to get what you have."
Much altercation took place among the mutinous crew during the transaction of this whole affair. Some swore, "I'll be damned if he does not find his way home if he gets any thing with him," meaning me; and when the carpenter's chest was carrying away, "Damn my eyes, he will have a vessel built in a month;" while others ridiculed the helpless situation of the boat, which was very deep in the water, and had so little room for those who were in her. As for Christian, he seemed as if meditating destruction on himself and every one else.
I asked for arms, but the mutineers laughed at me, and said I was well acquainted with the people among whom I was going; four cutlasses, however, were thrown into the boat after we were veered astern.
The officers and men being in the boat, they only waited for me, of which the master-at-arms informed Christian, who then said, "Come Captain Bligh, your officers and men are now in the boat, and you must go with them; if you attempt to make the least resistance, you will instantly be put to death;" and without further ceremony, I was forced over the side by a tribe of armed ruffians, where they untied my hands. Being in the boat we were veered astern by a rope. A few pieces of pork were thrown to us, also the four cutlasses. The armourer and carpenter then called out to me to remember that they had no hand in the transaction. After having been kept some time to make sport for these unfeeling wretches, and having undergone much ridicule, we were at length cast adrift in the open ocean.
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Eighteen persons were with me in the boat, – the master, acting surgeon, botanist, gunner, boatswain, carpenter, master, and quarter-master's mate, two quarter-masters, the sail-maker, two cooks, my clerk, the butcher, and a boy. There remained on board, Fletcher Christian, the master's mate, Peter Haywood, Edward Young, George Stewart, midshipmen, the master-at-arms, gunner's mate, boatswain's mate, gardener, armourer, carpenter's mate, carpenter's crew, and fourteen seamen, being altogether the most able men of the ship's cornpany.
Having little or no wind, we rowed pretty fast towards the island of Tofoa, which bore north-east about ten leagues distant. The ship while in sight steered west-north-west, but this I considered only as a feint, for when we were sent away, "Huzza for Otaheite!" was frequently heard among the mutineers.
Christian, the chief of them, was of a respectable family in the north of England. This was the third voyage he had made with me. Notwithstanding the roughness with which I was treated, the remembrance of past kindnesses produced some remorse in him. While they were forcing me out of the ship, I asked him whether this was a proper return for the many instances he had experienced of my friendship? He appeared disturbed at the question, and answered with much emotion, "That – Captain Bligh – that is the thing – I am in hell – I am in hell." His abilities to take charge of thé third watch, as I had so divided the ship's company, were fully equal to fhe task.
Haywood was also of a respectable family in the north of England, and a young man of abilities, as well as Christian. These two had been objects of my particular regard and attention, •and I had taken great pains to instruct them, having entertained hopes that, as professional men, they would have become a credit to their country. Young was well recommended; and Stewart of creditable parents in the Orkneys, at which place, on the return of the Resolution from the South Seas in 1780, we received so many civilities, that in consideration of these alone I should gladly
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have taken him with me. But he had always borne a good character.
When I had time to reflect, an inward satisfaction prevented the depression of my spirits. Yet, a few hours before my situation had been peculiarly flatteting; I had a ship in the most perfect order, stored with every necessary, both for health and service; the object of the voyage was attained, and two-thiids of it now completed. The remaining part had every prospect of success.
It will naturally be asked, what could be the case of such a revoit? In answer, I can only conjecture that the mutineers had flattered themselves with the hope of a happier life among the Otaheitans than they could possibly enjoy in England; which, joined to some female connections, most probably occasioned the whole transaction.
Tbe women of Otaheite are handsome, mild, and cheerful in manners and conversation; possessed of great seneibility, and have sufficient delicacy to make them be admired and beloved. The chiefs were so much attached to our people, that they rather encouraged their stay among them than otherwise, and even made them promises of large possessions. Under these, and many other concomitant circumstances, it ought hardly to be the subject of surprise, that a set of sailors, most of them void of connections, should be led away, where they had the power of fixing themselves in the midst of plenty, in one of the finest islands in the world, where there was no necessity to labour, and where the allurements of dissipation are beyond any conception that can be formed of it. The utmost, however, that a Commander could have expected, was desertions, such as have always happened more or less in the South Seas, and not an act of open mutiny.
But the secrecy of this mutiny surpasses belief. Thirteen of the party who were now with me had always lived forward among the seamen; yet neither they, nor the messmates of Christian, Stewart, Haywood, and Young, had never observed any circum-
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stance to excite suspicion of what was plotting; and it is not wonderful if I fell a sacrifice to it, my mind being entirely free of suspicion. Perhaps, had marines been on board, a sentinel at my cabin-door might have prevented it; for I constantly slept with the door open, that the officer of the watch might have access to me on all occasions. If the mutiny had been occasioned by any grievances, either real or imaginary, I must have discovered symptoms of discontent, which would have put me on my guard; but it was far otherwise. With Christian, in particular, I was on the most friendly terms; that very day he was engaged to have dined with me, and the preceding night he excused himself from supping with me on pretenee of indisposition, for which I felt concerned, having no suspicions of his honour or integrity.
THE END.
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TRANSCRIPTION NOTES
The appendix in this edition of Byron's "The Island" is extracted from Shipwrecks and Disasters at Sea; or Historical Narratives of the Most Noted Calamities and Providential Deliverances, which have Resulted from Maritime Enterprise: with a Sketch of Various Expedients for Preserving the Lives of Mariners., Volume 3, (Edinburgh; George Ramsay & Company, for Archibald Constable and Company, Edinburgh, and Longman, Hurst, Rees, Orme, and Brown, London, 1812), pp. 135-193.
Pages 136-152 were reproduced in Byron's work.
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Lord Byron, 1788-1824.
From Wikipedia, the free encyclopedia
Acquired November 22, 2016.
George Gordon Byron (later Noel), 6th Baron Byron, FRS (22 January 1788 – 19 April 1824), commonly known simply as Lord Byron, was an Anglo-Scottish poet and a leading figure in the Romantic movement. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage, and the short lyric poem "She Walks in Beauty".
Byron is regarded as one of the greatest British poets, and remains widely read and influential. He travelled extensively across Europe, especially in Italy where he lived for seven years. Later in life, Byron joined the Greek War of Independence fighting the Ottoman Empire, for which many Greeks revere him as a national hero. He died in 1824 at the young age of 36 from a fever contracted while in Missolonghi. Often described as the most flamboyant and notorious of the major Romantics, Byron was both celebrated and castigated in life for his aristocratic excesses, including huge debts, numerous love affairs – with men as well as women, as well as rumours of a scandalous liaison with his half-sister – and self-imposed exile.
He also fathered Ada, Countess of Lovelace, whose work on Charles Babbage's Analytical Engine is considered a founding document in the field of computer science, and Allegra Byron, who died in childhood – as well as, possibly, Elizabeth Medora Leigh out of wedlock.
Early life
Mayne states that George Gordon Byron was born on 22 January 1788 in a house on 24 Holles Street in London. However, R.C. Dallas in his Recollections states that Byron was born in Dover.
He was the son of Captain John "Mad Jack" Byron and his second wife, the former Catherine Gordon (d. 1811), a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byron's father had previously seduced the married Marchioness of Carmarthen and, after she divorced her husband, he married her. His treatment of her was described as "brutal and vicious", and she died after having given birth to two daughters, only one of whom survived: Byron's half-sister, Augusta. In order to claim his second wife's estate in Scotland, Byron's father took the additional surname "Gordon", becoming "John Byron Gordon", and he was occasionally styled "John Byron Gordon of Gight". Byron himself used this surname for a time and was registered at school in Aberdeen as "George Byron Gordon". At the age of 10, he inherited the English Barony of Byron of Rochdale, becoming "Lord Byron", and eventually dropped the double surname.
Byron's paternal grandparents were Vice-Admiral the Hon. John "Foulweather Jack" Byron, and Sophia Trevanion. Vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as "the Wicked Lord".
He was christened, at St Marylebone Parish Church, "George Gordon Byron" after his maternal grandfather George Gordon of Gight, a descendant of James I of Scotland, who had committed suicide in 1779.
"Mad Jack" Byron married his second wife for the same reason that he married his first: her fortune. Byron's mother had to sell her land and title to pay her new husband's debts, and in the space of two years the large estate, worth some £23,500, had been squandered, leaving the former heiress with an annual income in trust of only £150. In a move to avoid his creditors, Catherine accompanied her profligate husband to France in 1786, but returned to England at the end of 1787 in order to give birth to her son on English soil. He was born on 22 January in lodgings at Holles Street in London.
Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, but the couple quickly separated. Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husband's continuing to borrow money from her. As a result, she fell even further into debt to support his demands. It was one of these importunate loans that allowed him to travel to Valenciennes, France, where he died in 1791.
When Byron's great-uncle, the "wicked" Lord Byron, died on 21 May 1798, the 10-year-old boy became the 6th Baron Byron of Rochdale and inherited the ancestral home, Newstead Abbey, in Nottinghamshire. His mother proudly took him to England, but the Abbey was in an embarrassing state of disrepair and, rather than live there, decided to lease it to Lord Grey de Ruthyn, among others, during Byron's adolescence.
Described as "a woman without judgment or self-command", Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent, which made it difficult for her to catch him to discipline him. She once retaliated and, in a fit of temper, referred to him as "a lame brat". However, Byron biographer, Doris Langley-Moore, in her 1974 book, Accounts Rendered, paints a more sympathetic view of Mrs Byron, showing how she was a staunch supporter of her son and sacrificed her own precarious finances to keep him in luxury at Harrow and Cambridge. Langley-Moore questions the Galt claim that she over-indulged in alcohol.
Upon the death of Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, in 1822, her will required that he change his surname to "Noel" in order for him to inherit half of her estate. He obtained a Royal Warrant allowing him to "take and use the surname of Noel only". The Royal Warrant also allowed him to "subscribe the said surname of Noel before all titles of honour", and from that point he signed himself "Noel Byron" (the usual signature of a peer being merely the peerage, in this case simply "Byron"). It is speculated that this was so that his initials would read "N.B.", mimicking those of his hero, Napoleon Bonaparte. Lady Byron eventually succeeded to the Barony of Wentworth, becoming "Lady Wentworth".
Education and early loves
Byron received his early formal education at Aberdeen Grammar School, and in August 1799 entered the school of Dr. William Glennie, in Dulwich. Placed under the care of a Dr. Bailey, he was encouraged to exercise in moderation but could not restrain himself from "violent" bouts in an attempt to overcompensate for his deformed foot. His mother interfered with his studies, often withdrawing him from school, with the result that he lacked discipline and his classical studies were neglected.
In 1801 he was sent to Harrow, where he remained until July 1805. An undistinguished student and an unskilled cricketer, he did represent the school during the very first Eton v Harrow cricket match at Lord's in 1805.
His lack of moderation was not restricted to physical exercise. Byron fell in love with Mary Chaworth, whom he met while at school, and she was the reason he refused to return to Harrow in September 1803. His mother wrote, "He has no indisposition that I know of but love, desperate love, the worst of all maladies in my opinion. In short, the boy is distractedly in love with Miss Chaworth." In Byron's later memoirs, "Mary Chaworth is portrayed as the first object of his adult sexual feelings."
Byron finally returned in January 1804, to a more settled period which saw the formation of a circle of emotional involvements with other Harrow boys, which he recalled with great vividness: "My school friendships were with me passions (for I was always violent)." The most enduring of those was with John FitzGibbon, 2nd Earl of Clare — four years Byron's junior — whom he was to meet unexpectedly many years later in Italy (1821). His nostalgic poems about his Harrow friendships, Childish Recollections (1806), express a prescient "consciousness of sexual differences that may in the end make England untenable to him". Letters to Byron in the John Murray archive contain evidence of a previously unremarked if short-lived romantic relationship with a younger boy at Harrow, John Thomas Claridge.
Ah! Sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
The following autumn he went up to Trinity College, Cambridge, where he met and formed a close friendship with the younger John Edleston. About his "protégé" he wrote, "He has been my almost constant associate since October, 1805, when I entered Trinity College. His voice first attracted my attention, his countenance fixed it, and his manners attached me to him for ever." In his memory Byron composed Thyrza, a series of elegies.
In later years he described the affair as "a violent, though pure love and passion". This statement, however, needs to be read in the context of hardening public attitudes toward homosexuality in England, and the severe sanctions (including public hanging) against convicted or even suspected offenders. The liaison, on the other hand, may well have been "pure" out of respect for Edleston's innocence, in contrast to the (probably) more sexually overt relations experienced at Harrow School. Also while at Cambridge he formed lifelong friendships with men such as John Cam Hobhouse and Francis Hodgson, a Fellow at King's College, with whom he corresponded on literary and other matters until the end of his life.
Career
Early career
While not at school or college, Byron lived with his mother in Southwell, Nottinghamshire, in some antagonism. While there, he cultivated friendships with Elizabeth Pigot and her brother, John, with whom he staged two plays for the entertainment of the community. During this time, with the help of Elizabeth Pigot, who copied many of his rough drafts, he was encouraged to write his first volumes of poetry. Fugitive Pieces was printed by Ridge of Newark, which contained poems written when Byron was only 17. However, it was promptly recalled and burned on the advice of his friend, the Reverend J. T. Becher, on account of its more amorous verses, particularly the poem To Mary.
Hours of Idleness, which collected many of the previous poems, along with more recent compositions, was the culminating book. The savage, anonymous criticism this received (now known to be the work of Henry Peter Brougham) in the Edinburgh Review prompted his first major satire, English Bards and Scotch Reviewers (1809). It was put into the hands of his relation, R. C. Dallas, requesting him to "...get it published without his name". Alexander Dallas gives a large series of changes and alterations, as well as the reasoning for some of them. He also states that Byron had originally intended to prefix an argument to this poem, and Dallas quotes it. Although the work was published anonymously, by April, Dallas is writing that "you are already pretty generally known to be the author". The work so upset some of his critics they challenged Byron to a duel; over time, in subsequent editions, it became a mark of prestige to be the target of Byron's pen.
After his return from his travels, he again entrusted Dallas as his literary agent to publish his poem Childe Harold's Pilgrimage, which Byron thought of little account. The first two cantos of Childe Harold's Pilgrimage were published in 1812, and were received with acclaim. In his own words, "I awoke one morning and found myself famous". He followed up his success with the poem's last two cantos, as well as four equally celebrated "Oriental Tales": The Giaour, The Bride of Abydos, The Corsair and Lara. About the same time, he began his intimacy with his future biographer, Thomas Moore.
First travels to the East
Byron racked up numerous debts as a young man, owing to what his mother termed a "reckless disregard for money". She lived at Newstead during this time, in fear of her son's creditors. He had planned to spend early 1808 cruising with his cousin George Bettesworth, who was captain of the 32-gun frigate HMS Tartar. Bettesworth's unfortunate death at the Battle of Alvøen in May 1808 made that impossible.
From 1809 to 1811, Byron went on the Grand Tour, then customary for a young nobleman. He travelled with Hobhouse for the first year and his entourage of servants included the trusty butt of the young men's humour, William Fletcher, Byron's valet. The Napoleonic Wars forced him to avoid most of Europe, and he instead turned to the Mediterranean. The journey provided the opportunity to flee creditors, as well as a former love, Mary Chaworth (the subject of his poem from this time, "To a Lady: On Being Asked My Reason for Quitting England in the Spring"). Letters to Byron from his friend Charles Skinner Matthews reveal that a key motive was also the hope of homosexual experience.
Attraction to the Levant was probably also a reason; he had read about the Ottoman and Persian lands as a child, was attracted to Islam (especially Sufi mysticism), and later wrote, "With these countries, and events connected with them, all my really poetical feelings begin and end." He travelled from England over Portugal, Spain and the Mediterranean to Albania and spent time at the court of Ali Pasha of Ioannina, and in Athens. For most of the trip, he had a travelling companion in his friend John Cam Hobhouse. Many of these letters are referred to with details in Recollections of the Life of Lord Byron.
Byron began his trip in Portugal from where he wrote a letter to his friend Mr. Hodgson in which he describes his mastery of the Portuguese language, consisting mainly of swearing and insults. Byron particularly enjoyed his stay in Sintra that is described in Childe Harold's Pilgrimage as "glorious Eden". From Lisbon he travelled overland to Seville, Jerez de la Frontera, Cádiz, Gibraltar and from there by sea on to Malta and Greece.
While in Athens, Byron met 14-year-old Nicolo Giraud, who became quite close and taught him Italian. It has been suggested that the two had an intimate relationship involving a sexual affair. Byron sent Giraud to school at a monastery in Malta and bequeathed him a sizeable sum of seven thousand pounds sterling. The will, however, was later cancelled. "I am tired of pl & opt Cs, the last thing I could be tired of", Byron wrote to Hobhouse from Athens (an abbreviation of "coitum plenum et optabilem" — complete intercourse to one's heart's desire, from Petronius's Satyricon), which, as an earlier letter establishes, was their shared code for homosexual experience.
In 1810 in Athens Byron wrote Maid of Athens, ere we part for a 12-year-old girl, Teresa Makri (1798–1875), and reportedly offered £500 for her. The offer was not accepted.
Byron made his way to Smyrna, where he and Hobhouse cadged a ride to Constantinople on HMS Salsette. While Salsette was anchored awaiting Ottoman permission to dock at the city, on 3 May 1810 Byron and Lieutenant Ekenhead, of Salsette's Marines, swam the Hellespont. Byron commemorated this feat in the second canto of Don Juan. He returned to England from Malta in July 1811 aboard HMS Volage.
England 1811–1816
Byron became a celebrity with the publication of the first two cantos of 'Childe Harold's Pilgrimage' (1812). "He rapidly became the most brilliant star in the dazzling world of Regency London. He was sought after at every society venue, elected to several exclusive clubs, and frequented the most fashionable London drawing-rooms." During this period in England he produced many works including The Giaour, The Bride of Abydos (1813), Parisina and The Siege of Corinth (1815). Involved at first in an affair with Lady Caroline Lamb (who called him "mad, bad and dangerous to know") and with other lovers and also pressed by debt, he began to seek a suitable marriage, considering – amongst others – Annabella Millbanke. However, in 1813 he met for the first time in four years his half-sister, Augusta Leigh. Rumours of incest surrounded the pair; Augusta's daughter Medora (b. 1814) was suspected to have been Byron's. To escape from growing debt and rumour, Byron pressed his determination to marry Annabella, who was said to be the likely heiress of a rich uncle. They married on 2 January 1815, and their daughter, Ada, was born in December of that year. However Byron's continuing obsession with Augusta (and his continuing sexual escapades with actresses and others) made their marital life a misery. Annabella considered Byron insane, and in January 1816 she left him, taking their daughter, and began proceedings for a legal separation. The scandal of the separation, the rumours about Augusta, and ever-increasing debts forced him to leave England in April 1816, never to return.
Life abroad (1816–24)
The Shelleys
After this break-up of his domestic life, Byron left England — forever as it turned out. (Despite his dying wishes, however, his body was returned for burial in England.) He journeyed through Belgium and continued up the Rhine river. In the summer of 1816 he settled at the Villa Diodati by Lake Geneva, Switzerland, with his personal physician, the young, brilliant and handsome John William Polidori. There Byron befriended the poet Percy Bysshe Shelley, and Shelley's future wife Mary Godwin. He was also joined by Mary's stepsister, Claire Clairmont, with whom he had had an affair in London.
Kept indoors at the Villa Diodati by the "incessant rain" of "that wet, ungenial summer" over three days in June, the five turned to reading fantastical stories, including Fantasmagoriana, and then devising their own tales. Mary Shelley produced what would become Frankenstein, or The Modern Prometheus, and Polidori was inspired by a fragmentary story of Byron's, Fragment of a Novel, to produce The Vampyre, the progenitor of the romantic vampire genre.
Byron's story fragment was published as a postscript to Mazeppa; he also wrote the third canto of Childe Harold. Byron wintered in Venice, pausing his travels when he fell in love with Marianna Segati, in whose Venice house he was lodging, and who was soon replaced by 22-year-old Margarita Cogni; both women were married. Cogni could not read or write, and she left her husband to move into Byron's Venice house. Their fighting often caused Byron to spend the night in his gondola; when he asked her to leave the house, she threw herself into the Venetian canal.
Italy
In 1816, Byron visited San Lazzaro degli Armeni in Venice, where he acquainted himself with Armenian culture with the help of the abbots belonging to the Mechitarist Order. With the help of Father H. Avgerian, he learned the Armenian language, and attended many seminars about language and history. He co-authored English Grammar and Armenian (Angleren yev hayeren grakanutyun) in 1817, and Armenian Grammar and English (Hayeren yev angleren grakanutyun) in 1819, where he included quotations from classical and modern Armenian.
Byron later participated in the compilation of the English Armenian dictionary (Barraran angleren yev hayeren, 1821) and wrote the preface in which he explained the relationship of the Armenians with and the oppression of the Turkish "pashas" and the Persian satraps, and their struggle of liberation. His two main translations are the Epistle of Paul to the Corinthians, two chapters of Movses Khorenatsi's History of Armenia and sections of Nerses of Lambron's Orations.
His fascination was so great that he even considered a replacement of the Cain story of the Bible with that of the legend of Armenian patriarch Haik. He may be credited with the birth of Armenology and its propagation. His profound lyricism and ideological courage has inspired many Armenian poets, the likes of Ghevond Alishan, Smbat Shahaziz, Hovhannes Tumanyan, Ruben Vorberian and others.
In 1817, he journeyed to Rome. On returning to Venice, he wrote the fourth canto of Childe Harold. About the same time, he sold Newstead and published Manfred, Cain and The Deformed Transformed. The first five cantos of Don Juan were written between 1818 and 1820, during which period he made the acquaintance of the young Countess Guiccioli, who found her first love in Byron, who in turn asked her to elope with him.
Led by the love for this local aristocratic and married young Teresa Guiccioli, Byron lived in Ravenna between 1819 and 1821. Here he continued Don Juan and wrote the Ravenna Diary and My Dictionary and Recollections. It was about this time that he received visits from Shelley, as well as from Thomas Moore, to whom he confided his autobiography or "life and adventures", which Moore, Hobhouse, and Byron's publisher, John Murray, burned in 1824, a month after Byron's death. Of Byron's lifestyle in Ravenna we know more from Shelley, who documented some of its more colourful aspects in a letter: "Lord Byron gets up at two. I get up, quite contrary to my usual custom … at 12. After breakfast we sit talking till six. From six to eight we gallop through the pine forest which divide Ravenna from the sea; we then come home and dine, and sit up gossiping till six in the morning. I don’t suppose this will kill me in a week or fortnight, but I shall not try it longer. Lord B.’s establishment consists, besides servants, of ten horses, eight enormous dogs, three monkeys, five cats, an eagle, a crow, and a falcon; and all these, except the horses, walk about the house, which every now and then resounds with their unarbitrated quarrels, as if they were the masters of it… . [P.S.] I find that my enumeration of the animals in this Circean Palace was defective … . I have just met on the grand staircase five peacocks, two guinea hens, and an Egyptian crane. I wonder who all these animals were before they were changed into these shapes."
From 1821 to 1822, he finished Cantos 6–12 of Don Juan at Pisa, and in the same year he joined with Leigh Hunt and Shelley in starting a short-lived newspaper, The Liberal, in the first number of which appeared The Vision of Judgment. For the first time since his arrival in Italy, Byron found himself tempted to give dinner parties; his guests included the Shelleys, Edward Ellerker Williams, Thomas Medwin, John Taaffe and Edward John Trelawney; and "never", as Shelley said, "did he display himself to more advantage than on these occasions; being at once polite and cordial, full of social hilarity and the most perfect good humour; never diverging into ungraceful merriment, and yet keeping up the spirit of liveliness throughout the evening."
Shelley and Williams rented a house on the coast and had a schooner built. Byron decided to have his own yacht, and engaged Trelawny's friend, Captain Daniel Roberts, to design and construct the boat. Named the Bolivar, it was later sold to Charles John Gardiner, 1st Earl of Blessington, and Marguerite, Countess of Blessington, when Byron left for Greece in 1823.
Byron attended the funeral of Shelley, which was orchestrated by Trelawney after Williams and Shelley drowned in a boating accident on 8 July 1822. His last Italian home was Genoa, where he was still accompanied by the Countess Guiccioli, and the Blessingtons, providing the material for Lady Blessington's work: Conversations with Lord Byron, an important text in the reception of Byron in the period immediately after his death.
Greece
Byron was living in Genoa when, in 1823, while growing bored with his life there, he accepted overtures for his support from representatives of the movement for Greek independence from the Ottoman Empire. With the assistance of his banker and Captain Daniel Roberts, Byron chartered the brig Hercules to take him to Greece. On 16 July, Byron left Genoa arriving at Kefalonia in the Ionian Islands on 4 August. His voyage is covered in detail in Byron historian Donald Prell's Sailing with Byron from Genoa to Cephalonia.
Prell also wrote of a coincidence in Byron's chartering the Hercules. The vessel was launched only a few miles south of Seaham Hall, where in 1815 Byron married Annabella Milbanke. Between 1815 and 1823 the vessel was in service between England and Canada. Suddenly in 1823, the ship's Captain decided to sail to Genoa and offer the Hercules for charter.
After taking Byron to Greece, the ship returned to England, never again to venture into the Mediterranean. The Hercules was aged 37 when, on 21 September 1852, her life ended when she went aground near Hartlepool, only 25 miles south of Sunderland, where in 1815, her keel was laid; Byron's "keel was laid" nine months before his official birth date, 22 January 1788; therefore in ship-years, he was aged 37, when he died in Missolonghi.
Byron spent £4,000 of his own money to refit the Greek fleet, then sailed for Missolonghi in western Greece, arriving on 29 December, to join Alexandros Mavrokordatos, a Greek politician with military power. During this time, Byron pursued his Greek page, Lukas Chalandritsanos, but the affections went unrequited. When the famous Danish sculptor Bertel Thorvaldsen heard about Byron's heroics in Greece, he voluntarily resculpted his earlier bust of Byron in Greek marble.
Death (1824)
Mavrokordatos and Byron planned to attack the Turkish-held fortress of Lepanto, at the mouth of the Gulf of Corinth. Byron employed a fire-master to prepare artillery and took part of the rebel army under his own command, despite his lack of military experience. Before the expedition could sail, on 15 February 1824, he fell ill, and the usual remedy of bloodletting weakened him further. He made a partial recovery, but in early April he caught a violent cold which therapeutic bleeding, insisted on by his doctors, aggravated. It is suspected this treatment, carried out with unsterilised medical instruments, may have caused him to develop sepsis. He developed a violent fever, and died in Missolonghi on 19 April.
His physician at the time, Julius van Millingen, son of Dutch-English archaeologist James Millingen, was unable to prevent his death. It has been said that if Byron had lived and had gone on to defeat the Ottomans, he might have been declared King of Greece. However, contemporary scholars have found such an outcome unlikely.
Post mortem
Alfred Tennyson would later recall the shocked reaction in Britain when word was received of Byron's death. The Greeks mourned Lord Byron deeply, and he became a hero. The national poet of Greece, Dionysios Solomos, wrote a poem about the unexpected loss, named To the Death of Lord Byron. ????? ("Vyron"), the Greek form of "Byron", continues in popularity as a masculine name in Greece, and a town near Athens is called Vyronas in his honour.
Byron's body was embalmed, but the Greeks wanted some part of their hero to stay with them. According to some sources, his heart remained at Missolonghi. His other remains were sent to England (accompanied by his faithful manservant, "Tita") for burial in Westminster Abbey, but the Abbey refused for reason of "questionable morality". Huge crowds viewed his coffin as he lay in state for two days in London. He is buried at the Church of St. Mary Magdalene in Hucknall, Nottinghamshire. A marble slab given by the King of Greece is laid directly above Byron's grave. His daughter, Ada Lovelace, was later buried beside him.
Byron's friends raised the sum of 1,000 pounds to commission a statue of the writer; Thorvaldsen offered to sculpt it for that amount. However, for ten years after the statue was completed in 1834, most British institutions turned it down, and it remained in storage. The statue was refused by the British Museum, St. Paul's Cathedral, Westminster Abbey and the National Gallery before Trinity College, Cambridge, finally placed the statue of Byron in its library.
In 1969, 145 years after Byron's death, a memorial to him was finally placed in Westminster Abbey. The memorial had been lobbied for since 1907: The New York Times wrote, "People are beginning to ask whether this ignoring of Byron is not a thing of which England should be ashamed ... a bust or a tablet might be put in the Poets' Corner and England be relieved of ingratitude toward one of her really great sons."
Robert Ripley had drawn a picture of Boatswain's grave with the caption "Lord Byron's dog has a magnificent tomb while Lord Byron himself has none". This came as a shock to the English, particularly schoolchildren, who, Ripley said, raised funds of their own accord to provide the poet with a suitable memorial. (Source: Ripley's Believe It or Not!, 3rd Series, 1950; p. xvi.)
Close to the centre of Athens, Greece, outside the National Garden, is a statue depicting Greece in the form of a woman crowning Byron. The statue is by the French sculptors Henri-Michel Chapu and Alexandre Falguière.
Upon his death, the barony passed to Byron's cousin George Anson Byron, a career naval officer.
Personal life
Relationships and scandals
Byron described his first intense feelings at age eight for his distant cousin, Mary Duff:
My mother used always to rally me about this childish amour, and at last, many years after, when I was sixteen, she told me one day, 'O Byron, I have had a letter from Edinburgh, and your old sweetheart, Mary Duff, is married to Mr. C***.' And what was my answer? I really cannot explain or account for my feelings at that moment, but they nearly threw me into convulsions...How the deuce did all this occur so early? Where could it originate? I certainly had no sexual ideas for years afterwards; and yet my misery, my love for that girl were so violent, that I sometimes doubt if I have ever been really attached since. Be that as it may, hearing of her marriage several years after was like a thunder-stroke — it nearly choked me — to the horror of my mother and the astonishment and almost incredulity of every body. And it is a phenomenon in my existence (for I was not eight years old) which has puzzled, and will puzzle me to the latest hour of it; and lately, I know not why, the recollection (not the attachment) has recurred as forcibly as ever...But, the more I reflect, the more I am bewildered to assign any cause for this precocity of affection.
Byron also became attached to Margaret Parker, another distant cousin. While his recollection of his love for Mary Duff is that he was ignorant of adult sexuality during this time, and was bewildered as to the source of the intensity of his feelings, he would later confess that:
My passions were developed very early — so early, that few would believe me — if I were to state the period — and the facts which accompanied it. Perhaps this was one of the reasons that caused the anticipated melancholy of my thoughts — having anticipated life.
This is the only reference Byron himself makes to the event, and he is ambiguous as to how old he was when it occurred. After his death, his lawyer wrote to a mutual friend telling him a "singular fact" about Byron's life which was "scarcely fit for narration". But he disclosed it nonetheless, thinking it might explain Byron's sexual "propensities":
When nine years old at his mother's house a Free Scotch girl [May, sometimes called Mary, Gray, one of his first caretakers] used to come to bed to him and play tricks with his person.
Gray later used this sexual abuse as a means of ensuring his silence if he were to be tempted to disclose the "low company" she kept during drinking binges. She was later dismissed, supposedly for beating Byron when he was 11.
A few years later, while he was still a child, Lord Grey De Ruthyn (unrelated to May Gray), a suitor of his mother's, also made sexual advances on him. Byron's personality has been characterised as exceptionally proud and sensitive, especially when it came to his deformity. And although Byron was a very self-centred individual, it is probable that like most children, he would have been deeply disturbed by these sexual advances. His extreme reaction to seeing his mother flirting outrageously with Lord Grey De Ruthyn after the incident suggests this; he did not tell her of Grey's conduct toward him, he simply refused to speak to him again and ignored his mother's commands to be reconciled. Leslie Marchand, one of Byron's biographers, theorises that Lord Grey De Ruthyn's advances prompted Byron's later sexual liaisons with young men at Harrow and Cambridge.
Scholars acknowledge a more or less important bisexual component in Byron's very complex sentimental and sexual life. Bernhard Jackson asserts that "Byron's sexual orientation has long been a difficult, not to say contentious, topic, and anyone who seeks to discuss it must to some degree speculate, since the evidence is nebulous, contradictory and scanty... it is not so simple to define Byron as homosexual or heterosexual: he seems rather to have been both, and either." Crompton states: "What was not understood in Byron's own century (except by a tiny circle of his associates) was that Byron was bisexual". Another biographer, Fiona MacCarthy, has posited that Byron's true sexual yearnings were for adolescent males. Byron notably used a code by which he communicated his homosexual Greek adventures to John Hobhouse in England: Bernhard Jackson recalls that "Byron's early code for sex with a boy" was "Plen(um). and optabil(em). -Coit(um)" Bullough summarizes:
Byron, was attached to Nicolo Giraud, a young French-Greek lad who had been a model for the painter Lusieri before Byron found him. Byron left him 7,000 pounds in his will. When Byron returned to Italy, he became involved with a number of boys in Venice but eventually settled on Loukas Chalandritsanos, age 15, who was with him when he was killed (sic) (Crompton, 1985).
In 1812, Byron embarked on a well-publicised affair with the married Lady Caroline Lamb that shocked the British public. She had spurned the attention of the poet on their first meeting, subsequently giving Byron what became his lasting epitaph when she famously described him as "mad, bad and dangerous to know". This did not prevent him from pursuing her.
Byron eventually broke off the relationship, and moved swiftly on to others (such as that with Lady Oxford), but Lamb never entirely recovered, pursuing him even after he tired of her. She was emotionally disturbed, and lost so much weight that Byron sarcastically commented to her mother-in-law, his friend Lady Melbourne, that he was "haunted by a skeleton". She began to call on him at home, sometimes dressed in disguise as a pageboy, at a time when such an act could ruin both of them socially. One day, during such a visit, she wrote on a book at his desk, "Remember me!" As a retort, Byron wrote a poem entitled Remember Thee! Remember Thee! which concludes with the line "Thou false to him, thou fiend to me".
As a child, Byron had seen little of his half-sister Augusta Leigh; in adulthood, he formed a close relationship with her that has been interpreted by some as incestuous, and by others as innocent. Augusta (who was married) gave birth on 15 April 1814 to her third daughter, Elizabeth Medora Leigh, rumored by some to be Byron's.
Eventually Byron began to court Lady Caroline's cousin Anne Isabella Milbanke ("Annabella"), who refused his first proposal of marriage but later accepted him. Milbanke was a highly moral woman, intelligent and mathematically gifted; she was also an heiress. They married at Seaham Hall, County Durham, on 2 January 1815.
The marriage proved unhappy. He treated her poorly. They had a daughter (Augusta Ada). On 16 January 1816, Lady Byron left him, taking Ada with her. On 21 April, Byron signed the Deed of Separation. Rumours of marital violence, adultery with actresses, incest with Augusta Leigh, and sodomy were circulated, assisted by a jealous Lady Caroline. In a letter, Augusta quoted him as saying: "Even to have such a thing said is utter destruction and ruin to a man from which he can never recover." That same year Lady Caroline published her popular novel Glenarvon, wherein Lord Byron was portrayed as the seedy character Lord Ruthven.
Children
In any case, he wrote a letter to John Hanson from Newstead Abbey, dated 17 January 1809, that includes "You will discharge my Cook, & Laundry Maid, the other two I shall retain to take care of the house, more especially as the youngest is pregnant (I need not tell you by whom) and I cannot have the girl on the parish." His reference to "The youngest" is understood to have been to a maid, Lucy, and the parenthesised remark to indicate himself as siring a son born that year. In 2010 part of a baptismal record was uncovered which apparently said: "September 24 George illegitimate son of Lucy Monk, illegitimate son of Baron Byron, of Newstead, Nottingham, Newstead Abbey."
Augusta Leigh's child, Elizabeth, born 1814, was also fathered by Byron.
Byron had a child, The Hon. Augusta Ada Byron ("Ada", later Countess of Lovelace), in 1815, by his wife Annabella Byron, Lady Byron (née Anne Isabella Milbanke, or "Annabella"), later Lady Wentworth. Ada Lovelace, notable in her own right, collaborated with Charles Babbage on the analytical engine, a predecessor to modern computers. She is recognised as the world's first computer programmer.
He also had an illegitimate child in 1817, Clara Allegra Byron, with Claire Clairmont, stepsister of Mary Shelley and stepdaughter of William Godwin, writer of Political Justice and Caleb Williams. Allegra is not entitled to the style "The Hon." as is usually given to the daughter of barons, since she was illegitimate. Born in Bath in 1817, Allegra lived with Byron for a few months in Venice; he refused to allow an Englishwoman caring for the girl to adopt her, and objected to her being raised in the Shelleys' household. He wished for her to be brought up Catholic and not marry an Englishman, and made arrangements for her to inherit 5,000 lira upon marriage, or when she reached the age of 21, provided she did not marry a native of Britain. However, the girl died aged five of a fever in Bagna Cavallo, Italy while Byron was in Pisa; he was deeply upset by the news. He had Allegra's body sent back to England to be buried at his old school, Harrow, because Protestants could not be buried in consecrated ground in Catholic countries. At one time he himself had wanted to be buried at Harrow. Byron was indifferent towards Allegra's mother, Claire Clairmont.
Sea and swimming
He enjoyed adventure, especially relating to the sea.
The first recorded notable example of open water swimming took place on 3 May 1810 when Lord Byron swam from Europe to Asia across the Hellespont Strait. This is often seen as the birth of the sport and pastime, and to commemorate it, the event is recreated every year as an open water swimming event.
Whilst sailing from Genoa to Cephalonia in 1823, every day at noon, Byron and Trelawny, in calm weather, jumped overboard for a swim without fear of sharks, which were not unknown in those waters. And occasionally their exuberance found outlet on boyish horseplay. Once, according to Trelawny, they let the geese and ducks loose and followed them and the dogs into the water, each with an arm in the ship Captain’s new scarlet waistcoat, to the annoyance of the Captain and the amusement of the crew.
Fondness for animals
Byron had a great love of animals, most notably for a Newfoundland dog named Boatswain. When the animal contracted rabies, Byron nursed him, albeit unsuccessfully, without any thought or fear of becoming bitten and infected.
Although deep in debt at the time, Byron commissioned an impressive marble funerary monument for Boatswain at Newstead Abbey, larger than his own, and the only building work which he ever carried out on his estate. In his 1811 will, Byron requested that he be buried with him. The 26-line poem "Epitaph to a Dog" has become one of his best-known works, but a draft of an 1830 letter by Hobhouse shows him to be the author, and that Byron decided to use Hobhouse's lengthy epitaph instead of his own, which read: "To mark a friend's remains these stones arise/I never knew but one — and here he lies."
Byron also kept a tame bear while he was a student at Trinity, out of resentment for rules forbidding pet dogs like his beloved Boatswain. There being no mention of bears in their statutes, the college authorities had no legal basis for complaining: Byron even suggested that he would apply for a college fellowship for the bear.
During his lifetime, in addition to numerous cats, dogs, and horses, Byron kept a fox, monkeys, an eagle, a crow, a falcon, peacocks, guinea hens, an Egyptian crane, a badger, geese, a heron, and a goat. Except for the horses, they all resided indoors at his homes in England, Switzerland, Italy, and Greece.
Health and appearance
Character and psyche
I am such a strange mélange of good and evil that it would be difficult to describe me.
As a boy, Byron's character is described as a "mixture of affectionate sweetness and playfulness, by which it was impossible not to be attached", although he also exhibited "silent rages, moody sullenness and revenge" with a precocious bent for attachment and obsession.
Birth defect
From birth, Byron suffered from a deformity of his right foot. Although it has generally been referred to as a "club foot", some modern medical authors maintain that it was a consequence of infantile paralysis (poliomyelitis), and others that it was a dysplasia, a failure of the bones to form properly. Whatever the cause, he was afflicted with a limp that caused him lifelong psychological and physical misery, aggravated by painful and pointless "medical treatment" in his childhood and the nagging suspicion that with proper care it might have been cured.
He was extremely self-conscious about this from a young age, nicknaming himself le diable boiteux (French for "the limping devil", after the nickname given to Asmodeus by Alain-René Lesage in his 1707 novel of the same name). Although he often wore specially-made shoes in an attempt to hide the deformed foot, he refused to wear any type of brace that might improve the limp.
Scottish novelist John Galt felt his oversensitivity to the "innocent fault in his foot was unmanly and excessive" because the limp was "not greatly conspicuous". He first met Byron on a voyage to Sardinia and did not realise he had any deficiency for several days, and still could not tell at first if the lameness was a temporary injury or not but by the time he met Byron he was an adult and had worked to develop "a mode of walking across a room by which it was scarcely at all perceptible". The motion of the ship at sea may also have helped to create a favourable first impression and hide any deficiencies in his gait, but Galt's biography is also described as being "rather well-meant than well-written", so Galt may be guilty of minimising a defect that was actually still noticeable.
Physical appearance
Byron's adult height was 5 feet 8.5 inches (1.74 m), his weight fluctuating between 9.5 stone (133 lb; 60 kg) and 14 stone (200 lb; 89 kg). He was renowned for his personal beauty, which he enhanced by wearing curl-papers in his hair at night. He was athletic, being a competent boxer and horse-rider and an excellent swimmer. He attended pugilistic tuition at the Bond Street rooms of former prizefighting champion ‘Gentleman’ John Jackson, and recorded these sparring sessions, with the man he called ‘the Emperor of Pugilism’, in his letters and journals.
Byron and other writers, such as his friend Hobhouse, described his eating habits in detail. At the time he entered Cambridge, he went on a strict diet to control his weight. He also exercised a great deal, and at that time wore a great number of clothes to cause himself to perspire. For most of his life he was a vegetarian, and often lived for days on dry biscuits and white wine. Occasionally he would eat large helpings of meat and desserts, after which he would purge himself. Although he is described by Galt and others as having a predilection for "violent" exercise, Hobhouse suggests that the pain in his deformed foot made physical activity difficult, and his weight problem was the result.
Political career
Byron first took his seat in the House of Lords 13 March 1809, but left London on 11 June 1809 for the Continent. A strong advocate of social reform, he received particular praise as one of the few Parliamentary defenders of the Luddites: specifically, he was against a death penalty for Luddite "frame breakers" in Nottinghamshire, who destroyed textile machines that were putting them out of work. His first speech before the Lords, on 27 February 1812, was loaded with sarcastic references to the "benefits" of automation, which he saw as producing inferior material as well as putting people out of work, and concluded the proposed law was only missing two things to be effective: "Twelve Butchers for a Jury and a Jeffries for a Judge!". Byron's speech was officially recorded and printed in Hansard. He said later that he "spoke very violent sentences with a sort of modest impudence", and thought he came across as "a bit theatrical". The full text of the speech, which he had previously written out, was presented to Dallas in manuscript form and he quotes it in his work.
Two months later, Byron made another impassioned speech before the House of Lords in support of Catholic emancipation. Byron expressed opposition to the established religion because it was unfair to people of other faiths.
These experiences inspired Byron to write political poems such as Song for the Luddites (1816) and The Landlords' Interest, Canto XIV of The Age of Bronze. Examples of poems in which he attacked his political opponents include Wellington: The Best of the Cut-Throats (1819); and The Intellectual Eunuch Castlereagh (1818).
Poetic works
Byron wrote prolifically. In 1832 his publisher, John Murray, released the complete works in 14 duodecimo volumes, including a life by Thomas Moore. Subsequent editions were released in 17 volumes, first published a year later, in 1833.
Don Juan
Byron's magnum opus, Don Juan, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since John Milton's Paradise Lost. The poem, often called the epic of its time, has roots deep in literary tradition and, although regarded by early Victorians as somewhat shocking, equally involves itself with its own contemporary world at all levels — social, political, literary and ideological. In addition to its biting satire, the poem (especially in the early cantos) is funny.
Byron published the first two cantos anonymously in 1819 after disputes with his regular publisher over the shocking nature of the poetry; by this time, he had been a famous poet for seven years, and when he self-published the beginning cantos, they were well received in some quarters. It was then released volume by volume through his regular publishing house. By 1822, cautious acceptance by the public had turned to outrage, and Byron's publisher refused to continue to publish the works. In Canto III of Don Juan, Byron expresses his detestation for poets such as William Wordsworth and Samuel Taylor Coleridge. In letters to Francis Hodgson, Byron referred to Wordsworth as "Turdsworth".
Parthenon marbles
Byron was a bitter opponent of Lord Elgin's removal of the Parthenon marbles from Greece, and "reacted with fury" when Elgin's agent gave him a tour of the Parthenon, during which he saw the spaces left by the missing friezes and metopes. He denounced Elgin's actions in his poem The Curse of Minerva and in Canto II (stanzas XI-XV) of Childe Harold's Pilgrimage.
Styles of address
1788–1798: Mr George Gordon
1798–1816: The Right Honourable The Lord Byron
1816–1824: The Right Honourable The Lord Byron FRS
Legacy and influence
Byron is considered to be the first modern-style celebrity. His image as the personification of the Byronic hero fascinated the public, and his wife Annabella coined the term "Byromania" to refer to the commotion surrounding him. His self-awareness and personal promotion are seen as a beginning to what would become the modern rock star; he would instruct artists painting portraits of him not to paint him with pen or book in hand, but as a "man of action." While Byron first welcomed fame, he later turned from it by going into voluntary exile from Britain.
The burning of Byron's memoir in the offices of his publisher John Murray a month after his death, and the suppression of details of Byron's bisexuality by subsequent heads of the firm (which held the richest Byron archive), distorted biographies. As late as the 1950s scholar Leslie Marchard was expressly forbidden by the Murray company to reveal details of Byron's same-sex passions.
The re-founding of the Byron Society in 1971 reflected the fascination that many people had for Byron and his work. This society became very active, publishing an annual journal. 36 Byron Societies function throughout the world, and an International Conference takes place annually.
Byron exercised a marked influence on Continental literature and art, and his reputation as a poet is higher in many European countries than in Britain or America, although not as high as in his time, when he was widely thought to be the greatest poet in the world. Byron's writings also inspired many composers. Over forty operas have been based on his works, in addition to three operas about Byron himself (including Virgil Thomson's Lord Byron). His poetry was set to music by many Romantic composers, including Mendelssohn, Carl Loewe, and Robert Schumann. Among his greatest admirers was Hector Berlioz, whose operas and Mémoires reveal Byron's influence.
Byronic hero
The figure of the Byronic hero pervades much of his work, and Byron himself is considered to epitomise many of the characteristics of this literary figure. Scholars have traced the literary history of the Byronic hero from John Milton, and many authors and artists of the Romantic movement show Byron's influence during the 19th century and beyond, including the Brontë sisters. His philosophy was more durably influential in continental Europe than in England; Nietzsche admired him, and the Byronic hero was echoed in Nietzsche's superman.
The Byronic hero presents an idealised, but flawed character whose attributes include: great talent; great passion; a distaste for society and social institutions; a lack of respect for rank and privilege (although possessing both); being thwarted in love by social constraint or death; rebellion; exile; an unsavory secret past; arrogance; overconfidence or lack of foresight; and, ultimately, a self-destructive manner. These types of characters have since become ubiquitous in literature and politics.
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BIBLIOGRAPHIC DESCRIPTION
Author: | Right Hon. Lord Byron. |
Title: | The Island, or Christian and his Comrades. |
Publisher: | London: Printed for John Hunt, 1823. |
Description: | 94p. |
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