Trace Reddell is a writer, artist and theorist exploring the interactions of sound and the cosmological imagination. Trace's live cinema performances and video works have screened at over thirty international venues including galleries and new media festivals in New York, London, Glasgow, Amsterdam, Berlin, Zurich, Sao Paolo, Seoul, Hong Kong, and Tehran. His net.art and audio projects have appeared regularly on the Web since 1999.
Trace is Associate Professor of Digital Media Studies at the University of Denver. He founded Denver 's first digital media festival, A:D:A:P:T, in Spring 2003 at Denver 's Museum of Contemporary Art. Recent publications include articles in Leonardo Music Journal, Leonardo Electronic Almanac, the Contemporary Music Review, the Electronic Book Review, Cybersounds: Essays on Virtual Music Culture (Peter Lang Publishing, 2006), “Cyborg Ritual and Sentic Technology in the Vortex Concerts” in The Poetics of Space: Spatial Explorations in Art, Science, Music & Technology (Sonic Acts Press, Paradiso, 2010), and “Ethnoforgery and Outsider Afrofuturism” in tobias c. van Veen's edition, Afrofuturism : Interstellar Transmissions From Remix Culture (Wayne State University Press, forthcoming).
Trace's short fiction has appeared in Fiction International, Sniper Logic, American Goat, Black Ice, and the anthology, Midsummer Night's Dreams (Rhinoceros).
Trace Reddell, Ph.D.
Associate Professor
Director, Digital Media Studies
University of Denver
Office: Sturm Hall 216B
Phone: 303-871-3874
Email: treddell@du.edu
Web: http://www.du.edu/~treddell/